Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is Post-Modernism dominant in the art world? Why are consumers of comic books so bitterly divided? In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today’s culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.
It was both fun and stimulating in this regard to work with John Rice, James Hawdon, James Tucker, Beth Schwieger, Tracy Fessenden, Karen Marsh, Jim Nolan, and Leslie Gunning. Several colleagues read all of the manuscript in various ...
This text combines polling data with detailed narrative to debunk commonly-believed myths about American politics--particularly the claim that Americans are deeply divided in their fundamental political views. What Culture War?
Not only are moderates trampled underfoot, but the great gray areas where life is actually lived, the areas of ambiguity and tradeoffs between competing values, are rendered toxic to human habitation. This is not healthy for a democracy.”
Peter Kreeft examines the true nature of the "culture war" today, identifies the real enemies facing the church and maps out a strategy for battle.
Excerpt from Broadcast of Fulton Lewis , Jr. , " 27 Nov. 1950 , folder 14 , box 43 , LCCP ; Michael Kazin , The Populist ... Roy E. Simpson to Harry L. Foster , 20 Feb. 1947 ; William J. Bauer to Richard Chamberlain , 3 March 1947 ...
This culture war provides an example of an affective cultural politics in which institutional structures become entwined with media representations, events, and patterns of belonging.
In the wake of a bitter presidential campaign and in the face of numerous divisive policy questions, many Americans wonder if their country has split in two. People are passionately...
Gary B. Nash, Charlotte Crabtree, and Ross E. Dunn, History on Trial: Culture Wars and the Teaching of the Past (1997; New York: Vintage Books, 2000). Lisa Symcox, Whose History? The Struggle for National Standards in American ...
Together, the contributors argue that an examination of the meaning of material objects can shed new light on the social, economic, and cultural history of the conflict. This book will fundamentally reshape our understanding of the war.
... “The New School Wars: How Outcome- Based Education Blew Up,” American Prospect, December 1, 1994. 35. William J. Bennett, The De- valuing of America: The Fight for Our Culture and Our Children (New York: Summit Books, 1992), 18–22.