The System of Objects is a tour de force—a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day. Pressing Freudian and Saussurean categories into the service of a basically Marxist perspective, The System of Objects offers a cultural critique of the commodity in consumer society. Baudrillard classifies the everyday objects of the “new technical order” as functional, nonfunctional and metafunctional. He contrasts “modern” and “traditional” functional objects, subjecting home furnishing and interior design to a celebrated semiological analysis. His treatment of nonfunctional or “marginal” objects focuses on antiques and the psychology of collecting, while the metafunctional category extends to the useless, the aberrant and even the “schizofunctional.” Finally, Baudrillard deals at length with the implications of credit and advertising for the commodification of everyday life. The System of Objects is a tour de force of the materialist semiotics of the early Baudrillard, who emerges in retrospect as something of a lightning rod for all the live ideas of the day: Bataille’s political economy of “expenditure” and Mauss’s theory of the gift; Reisman’s lonely crowd and the “technological society” of Jacques Ellul; the structuralism of Roland Barthes in The System of Fashion; Henri Lefebvre’s work on the social construction of space; and last, but not least, Guy Debord’s situationist critique of the spectacle.
By developing object calculi in which objects are treated as primitives, the authors are able to explain both the semantics of objects and their typing rules, and also demonstrate how to develop all of the most important concepts of object ...
"This is easily Baudrillard’s most important work.... Anyone who wants to understand the complexity and provocativeness of Baudrillard’s richest period must read this text." – Douglas Kellner
This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this ...
A revelatory conversation between two major figures in visual culture.
This book might be said to be the exploration, first, of the 'fateful' consequences, and subsequently—by a poetic transference of situation—of the fortunate, happy consequences of impossible exchange.
The book is packed with practical design techniques that enable the practitioner to get the job done. If you create software using object-oriented languages and tools, then Responsibility-Driven Design has likely influenced your work.
Polly Harris Stone. Slate, 1787. Charlestown, Mass. Gravestone. Death's left arm is raised above his head, about to pierce Harris's portrait with his arrow and set into motion the process of putrefaction that will desecrate her formerly ...
By what code do objects connect with us, embrace us, refute us, and in the end, inform us?
This upper-level textbook begins with the concepts of modern psychophysical vision research (as opposed to vision system physiology), before detailing aspects of the processes that allow us to distinguish objects from their surroundings.
This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.