William Faulkner examines the life and work of the American modernist whose experiments in style and form radically challenged not only the experience of time in narrative, but also conceptions of the American South, race, and the explosive fear of miscegenation. Beginning with the 1929 publication of The Sound and the Fury (his fourth novel), Faulkner produced a dazzling series of masterpieces in rapid order, including As I Lay Dying; Sanctuary; Light in August; Absalom, Absalom!; and Go Down, Moses—novels and stories that alternately exhilarated and exasperated critics and left readers gasping to keep pace with his storytelling innovations. Transforming his hometown of Oxford, Mississippi, into the fictional Yoknapatawpha County, Faulkner created his own microcosm in which compassion and personal honor struggle to stand up to the violence, lust, and greed of the modern world. As prolific as Faulkner was, however, the career of this Nobel laureate was neither easy nor carefree. He was perpetually strapped for cash, burdened with supporting a large extended family, ambivalent toward his marriage, and vulnerable to alcoholism. Honoring both the man and the artist, this book examines how Faulkner strained to balance these pressures and pursue his literary vision with single-minded determination.
This invaluable volume, which has been republished to commemorate the one-hundredth anniversary of Faulkner's birth, contains some of the greatest short fiction by a writer who defined the course of American literature.
When they entered the mess he appeared quite sober, only blinking a little in the lighted room, in his raked cap and his awry-buttoned pea-jacket and a soiled silk muffler, embroidered with a club insignia which Bogard recognized to ...
Foreword , Sherwood Anderson and Other Famous Creoles . Compare R : D. Laing , The Divided Self ( New York , 1970 ) , p . 90. See also Spratling , “ Chronicle of a Friendship , ” as cited in the general note to this chapter . 7.
Mays gave the best speech Silver had ever heard: “great intellect, real fervor, and an old-time evangelical ministerial delivery which were a magnificent combination.”3 Silver and Faulkner had known one another ever since Silver had ...
... Essays, Speeches, & Public Letters, p. 101. 2. Faulkner, Intruder in the Dust, p. 195. 3. Faulkner, Requiem for a Nun (1951); A Fable (1954); The Town (1957); The Mansion (1959); The Reivers (1962); Collected Stories (1950); The ...
B. Robbins, “The Pragmatic Modernist,” 241: “All artistic works are shaped by networks and conditions outside of themselves, despite their possible claims to autonomy.” 7. B. Robbins, “The Pragmatic Modernist,” 243.
The novels of William Faulkner continue to fascinate and inspire. This compendium of critical thought-including Robert Penn Warren, Graham Greene, Lionel Trilling, Malcolm Cowley, and George Orwell, among others-will aid...
Doyle, Don H. Faulkner's County: The Historical Roots of Yoknapatawpha. Chapel Hill: University of North Carolina Press, 2001. Falkner, Murry C. The Falkners of Mississippi: A Memoir. Baton Rouge: Louisiana State University Press, 1967.
5 ) Urgo , Joseph R. , 191 Vande Kieft , Ruth , 217 Verlaine , Paul , 49 Vickery , Olga W. , 123 , 136 , 162 Victorian ... 211 , 239 Tobin , Patricia , 194 , 205 The Town , 245 , 256 , 285-86 Transcendence : in Faulkner's postVictorian ...
These texts are reexamined not only as anticipations of later developments but as literary achievements in their own right.