This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.
She read the Laura Ingalls Wilder book as a bedtime story to her mother, a reversal of the way the tale had been related in this very room, some thirty years before. . . . No, her mother would beat the system; it was a joke on hospice.
Blending social history and personal experiences, an exploration of how people try to control their bodies with food reveals the struggle everyone experiences with their own bodies.--
Blending social history and personal experiences, an exploration of how people try to control their bodies with food reveals the struggle everyone experiences with their own bodies.--
Photographs that are neither digitally augmented nor airbrushed show what women really look like after giving birth and encourage new mothers to embrace their bodies as they are.
Beautiful Bodies is a masterful and compelling work of living, breathing history.
a celebration of beautiful bodies from different women shot over a 6 year period.
In this book, they offer an action plan for readers to combat that mindset, and instead learn how the body can be "an instrument, not an ornament," with practical, actionable steps to take when consuming media, exercising, practicing self ...
The writer and actress explore her childhood and youth, which was largely defined by her father's struggle with hoarding.
This book is a feminist reading of gender performance and construction of the female role players, onnogata, of the Kabuki theatre.
Explains the composition and workings of the bodies of plants, animals, and humans.