Formed at their Oxfordshire secondary school in the mid-eighties, Radiohead have gone on arguably to be not only the most important rock group of the 1990s, but also the most significant post-rock group of the new century. Few would have predicted such greatness when their 1993 debut Pablo Honey appeared, revealing an infatuation with The Pixies and, in 'Creep' featuring a lead single deemed 'too depressing to be playlisted on BBC Radio 1. They went on to deliver two of the era-defining albums of the '90s in The Bends and OK Computer, the latter in particular redefining what could be achieved in the realm of guitar- based rock. In the early 2000s they radically rewrote the rulebook both for themselves and for popular music, largely eschewing guitar rock for the experimental, electronic Kid A and Amnesiac. In 2016 they issued their ninth album A Moon Shaped Pool - the latest in a series of works that has seen the group restlessly finding new approaches to both composition and recording. This book examines each album (and each peripheral song, from singles, B-sides and EPs) with stories and analysis of every officially released track.
Back to Save the Universe is the first book to look at the creation of that music song by song, tracking Radiohead from their Brit-pop beginnings with Pablo Honey and the unexpected success of the hit single "Creep" up through the electro ...
Now writer and musicologist James Doheny reveals the inside story behind every Radiohead song in a comprehensive and insightful book no true fan will want to be without.
Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020.
In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of ...
A consumer's guide to the music of Radiohead, this publication is an album by album, track by track, examination of every song released by Radiohead, from Pablo Honey in 1993 to Hail to the Thief in 2003.
She just keeps running and does not “come walking back” (as she does for Roy Orbison). With one exception, “Creep” has almost nothing to do with the phenomenological tilt of post-Bends Radiohead.1 In The Bends, they began to move away ...
This book reveals the true depth and musical genius that has solidified Radiohead’s place in rock history and pop culture.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads.
An extension of Caffrey's deep but often cautious love for the band, Radiohead FAQ presents a fittingly sideways look at what he's dubbed "the world’s most famous cult band.
... but also in Radiohead cover bands (The Karma Police, Rodeohead, The Vitamin String Quartet), in the musicking efforts of so-called prosumers (Jaydiohead, YouTube remixers), even when we sing, say, “Morning Bell” in the shower.