In '100 Road Movies', each entry will offer an insightful critique in terms of aesthetics, plot structure and defining formal and thematic features, whilst also considering the title in the wider context and understanding of by what criteria a film may be considered a road movie. Full credits, including year of production, principal cast and technical crew and country of origin will also be included at the foot of each entry. There will be a selection of illustrative stills, approximately twenty-five in total. The scope is broad, a consideration of the elements that gave rise to the road movie sub-genre, how this sub-genre corresponds to other traditional genres (the thriller, the western etc) and how various international countries have adopted the road movie to reflect their cultural, social, political and geographical identities.
Williams, Tony, The Cinema of George Romero: Knight of the Living Dead (London: Wallflower Press, 2004). Wood, Jason, 100 Road Movies (London: BFI, 2007). Wood, Robin, 'An Introduction to the American Horror Film', in Andrew Britton, ...
This revised and updated new edition provides a guide to 100 of the most interesting and influential American independent films, from Bonnie and Clyde to Junebug by way of Reservoir Dogs and The Blair With Project with an introduction to ...
Road Movies engages with two foundational twentieth century technologies: cinematic and automotive. It is a book about road movies, a genre burdened by its own seductiveness.
This text examines issues such as the reworking of the genre in a Brazilian context, the relationship between documentary and fiction, between history, politics and cinema, gender and race, the wilderness and the urban space, the national ...
Wood (2007) nevertheless includes it in his British Film Institute book, 100 Road Movies. 5. O'Shaughnessy argues that the 1995 strikes were distinctive for their 'refusal of centralized and hierarchical organizations' (2007: 12) and ...
Mazierska and Rascaroli argue that travel and road narratives have been made in Europe since the start of the cinema industry, perhaps even before catching on in Hollywood (2006: 4). In his 100 Road Movies,which combines a succinct but ...
... 49, 56–8 Monster Trucks, 5, 56 Motel Hell(1980), 28,32 motels, inHighway Horror, 18–38,40, 51,62, 96, 100 Mumford, ... 100 Road Movies,definitionsand characteristics, 6–8, 10–12, 40, 58 road network, 5 roadside businesses, 20 roads, ...
Cheng Chao-on, a country boy from southern China, arrives in Bangkok to work with his cousins in an ice factory. When Cheng's kin discover that the factory is a front for smuggling drugs, they begin to disappear mysteriously.
The book covers examples of Italian, French, German and American movies that strongly characterized the 1960s.
(A Question of Faith: Criticism and History of the Bolivian Cinema of the Past 30 Years [1980–2010]). ... Road Movies. From Muybridge and Méliès to Lynch and Kiarostami. New York: Palgrave Macmillan. ... 100 Road Movies. London: BFI.