The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
"The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies.
Cf. Jennifer M. Kapczynski, “Homeward Bound: Peter Lorre's The Lost Man and the End of Exile,” New German Critique ... Caligari's Heirs, 37–56; Sarah Thomas, Peter Lorre: Face Maker: Constructing Stardom and Performance in Hollywood and ...
This is a greatly expanded new edition of the well-received survey of British cinema. In addition to twenty-four original chapters there are twelve new contributions. The new chapters greatly extend...
Indiana University Cinema tells the story of how the cinema on the campus of Indiana University Bloomington grew into a vibrant, diverse, and thoughtfully curated cinematheque.
Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about it Despite the fact that the concept can be traced back ...
These debates, that raged in the pages of newspapers, books and journals, illustrate the complex relation between sound and image that existed during the Japanese cinema's conversion to sound, and the renegotiation of their ...
This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world.
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day.
Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition.
This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the ...