No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday – and what happened to mining communities after the last pits closed. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher’s shutdowns. Defeat foretold the death of their industry. Tens of thousands were cast onto the labour market with a minimum amount of advice and support. Yet British politics all of a sudden revolves around the coalfield constituencies that lent their votes to Boris Johnson’s Conservatives in 2019. Even in the Welsh Valleys, where the ‘red wall’ still stands, support for the Labour Party has halved in a generation. Huw Beynon and Ray Hudson draw on decades of research to chronicle these momentous changes through the words of the people who lived through them.
Shadows in the Mine
Or can Tempest unravel the mystery behind the shadow before it can strike again? One thing is for sure, this is like nothing he's ever faced before, and just maybe this time, the creature is real. The paranormal?
Or can Tempest unravel the mystery behind the shadow before it can strike again? One thing is for sure, this is like nothing he's ever faced before, and just maybe this time, the creature is real. The paranormal?
Secure the Shadow: Lachlan McLean, Colorado Mining Photographer
This Book of Mine is a celebration of the power of reading, of the ways in which books launch our adventures, give us comfort, challenge our imaginations, and offer us connection.
The Valley of the Shadow: An Account of Britain's Worst Mining Disaster, the Senghenydd Explosion
To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday
Yea though I Walk through the Valley of the Shadow of Death had to be written.
The world often encourages us to suppress pain; Goldmining the Shadows asks you to embrace it as a path to acceptance.
Perhaps one of the most overlooked yet generative aspects of Neil Smith's production of nature thesis is that he considers the production of nature to include the configurations assumed by human consciousness.