This is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France's former colonies, Europe, and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa, and East and West.
"Ever wanted to make your own movie? Here's how to do it! From planning an interview to throwing a 'wrap' party, you'll find everything you need to know about making four different types of documentaries." Cover, p. 4.
The story of those living in the shadow of Russia's giant industrial project of the 1930's.
John Updike , " Modern Art : Always Offensive to Orthodoxy " Wall Street Journal , August 10 , 1989 , 16 . 33. Slavoj Zizek , The Sublime Object of Ideology ( London : Verso , 1989 ) , 73 . 34. Salman Rushdie , " In Good Faith ...
最終點
本书精选了多部英美国家的英语纪录片解说词,配有大量的纪录片图片,每篇精选文章前都附有纪录片的背景资料。
ONF Réalisatrice : Sylvie Van Brabant ; Producteurs : Guy L. Coté , Jean Dansereau , Raymond Gauthier ; Image : Raymond Dumas , Serge Giguère ; Montage : Huguette Laperrière ; Animation : Raymond Dumas ; Musique : Claude Vendette ...
ROMERO , L.A. ( 2003 ) , “ La crisis : final y apertura ” , en La crisis argentina : una mirada al siglo xx , Buenos Aires , Siglo Veintiuno , pp . 107-121 . ROSENBERG , G. ( 2001 ) , “ A pluralist democracy ” , Eurozine , 27 ...
Indispensable perspectives on America's top documentary filmmaker and political commentator
Written in hypnotic prose, this substantial novel is both a metaphysical meditation and a deeply unsettling mystery, from which one thing emerges: loss, fierce and incomprehensible.
Interlocking stories.