This, the first book-length study of Hong Kong cult director Wong Kar-wai, provides an overview of his career and in-depth analyses of his seven feature films to date. The study also takes an intriguing look at Wong's commercials for the likes of Motorola, BMW, and Lacoste and at his music video for DJ Shadow. Stephen Teo probes Wong's cinematic and literary influences--from Martin Scorsese and Alfred Hitchcock to Manuel Puig and Haruki Murakami--yet shows how Wong transcends them all. This comprehensive and thoroughly accessible study confirms Wong's position as the star of the Hong Kong-global nexus and as a postmodern exemplar of world cinema.
"This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date.
Called the leading heir to the great directors of post-WWII Europe and lavished with awards, Wong Kar-wai has redefined perceptions of Hong Kong's film industry.
Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong cinema in the first decade of Chinese ...
This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush ...
Arguing against the facile culturalism that tends to dominate such scholarship, this book does full justice to Wong’s cinematic methods in a series of impressively well-informed and informative readings.” —Rey Chow, Duke University
This collection marks the most comprehensive in-depth scholarly study to date of this award winning director and serves as an essential resource for film scholars, critics, and devoted moviegoers looking for a deeper understanding of ...
Studying Chungking Express considers these historical details but also the key issues of film form, author-ship, representation and identity.
London: British Film Institute, 1997 Kraicer, Shelly., “Tracking the Elusive Wong Kar-wai. ... Teo, Stephen., Auteur of Time, BFI World Directors, British Film Institute, London, 2005 Fu, P., & Desser, D. (2000).
The book also places the film in the context of Wong's other work, with sidelights on its place in Hong Kong cinema as a whole. This special edition features original cover artwork by Jimmy Turrell.
The Kaiju (strange monster or strange beast) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif.