Despite its global reach, longstanding popularity, and immense profitability, sitcom has been repeatedly neglected in theoretical work on television and media. This book demonstrates that this lack needs to be sorely addressed, by dragging analysis of sitcom up to date, with a wealth of contemporary examples, a range of new approaches to the genre, and examination of the roles sitcom and comedy play within society. The book takes as its starting point the variety of ways in which sitcom has traditionally been explored. A chapter on genre examines the history and development of sitcom, and the institutional structures which produce it. There is also analysis of differences between sitcoms produced in a range of countries, and what happens when a programme gets sold abroad and remade. A chapter on representation explores the debates about the ways in which sitcom chooses who to make jokes about and why, and whether this matters. And a chapter on performance argues that this is a vital, and underexplored, aspect of sitcom's funniness, and interrogates the ways in which comic actors make their performance funny. With specific case studies on Will and Grace, The Office, and The Cosby Show, as well as analysis of a broad range of contemporary and historical examples throughout, this book will be of interest to students of sitcom and comedy, as well as those of television and popular culture.
Anthony Mattero and Melissa Ryan, two industry professionals who, no matter how busy, always cheerfully make time to help me find hard-to-locate scripts. And I thank Anne and Erick Taft, mother and brother of Alex Taft, a most promising ...
Readers of this book will see how television situation comedies have consistently held up a mirror for American audiences to see themselves—and the reflections have not always been positive or purely comedic.
Gilligan's Island A close analysis of Gilligan's Island — its conception , characters , plot , and production — reveals an intense reworking of the themes of progress and primitivism , imperialism and escape . With Gilligan's Island the ...
Even when his heinous acts make us squirm with discomfort. Erik Johnson has stepped into his own darkness just long enough to confront his demons and write the great American novel.
This book contains a summary of how African American television sitcoms have negatively portrayed African Americans.
Tribal Television: Viewing Native People in Sitcoms
This book is the first and only one of its kind! Every episode (!) of every comedy series from the beginning of television to the 1980 season is listed. Titles,...
This book explores the mechanisms that have driven the evolution of televisual comedy from the classic sitcom, a genre deeply rooted in its theatrical origins, toward a more mature stage of television's history.
... teacher narratives on film and television and also contrasts the television sitcom with the film of the same title . Dalton reads this sitcom and the resulting motion picture against the grain to argue that Miss Brooks's pursuit of ...
Butler, Jeremy G. “Televisuality and the Resurrection of the Sitcom in the 2000s,” in Television Style, 173–222. New York: Routledge, 2010. Caldwell, John Thornton. Televisuality: Style, Crisis, and Authority in American Television.