American Science Fiction Film and Television presents a critical history of late 20th Century SF together with an analysis of the cultural and thematic concerns of this popular genre. Science fiction film and television were initially inspired by the classic literature of H.G. Wells and Jules Verne. The potential and fears born with the Atomic age fuelled the popularity of the genre, upping the stakes for both technology and apocalypse. From the Cold War through to America's current War on Terror, science fiction has proved a subtle vehicle for the hopes, fears and preoccupations of a nation at war.The definitive introduction to American science fiction, this book is also the first study to analyze SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including The Day the Earth Stood Still, Planet of the Apes, Star Trek: The Next Generation, The X-Files, and Battlestar Galactica.
A full-length analysis of the popular phenomenon of American science fiction television argues that the genre has replaced the Western in the American cultural imagination; explores common themes in science fiction--including politics, ...
He is author of Attending Daedalus: Gene Wolfe Artifice and the Reader (2003). He has written numerous articles and has contributed to Blackwell'sA Companion to Science Fiction (2005), The Routledge Companion to Science Fiction (2009) ...
Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, cultural and media studies, as well as anyone interested in science fiction and ...
Jacques Siclier and André S. Labarthe , Images de la Science - Fiction ( Paris : Les Editions du Cerf , 1958 ) , p . ... 1 Married a Monster from Outer Space ( Gene Fowler , Jr. , 1958 ) , The Day Mars Invaded the Earth ( Maury Dexter ...
A widely held attitude that Penley and Ross describe sees technology as a largely neutral, but potentially liberating force that promises to open up "utopian" possibilities for all. This view, which they suggest is rather naive, ...
However , the film and its sequels draw upon numerous predecessors , and the link between Star Wars and its various indirect sources is among the most widely discussed aspects of the film . For example , Joseph Campbell's writings on ...
The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre.
In Science Fiction Film and the Abolition of Man, scholars of religion, philosophy, literature, and film explore the connections between sci-fi film and the three parts of Lewis's book: how sci-fi portrays "Men without Chests" incapable of ...
Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge, 1992. Gatts, Strawberry. “The Use of Holograms in 'Logan's Run.'” American Cinematographer (June 1976): 650–651, 669, 706. Gentry, Ric.
Aliens and Toy Story. Collectively, the essays discover, applaud and critique the hidden--and not-so-hidden--messages presented on our children's film and TV screens.