The simple yet striking lines of Shaker design grace much of the furniture we see in high-end department stores, and beautiful examples of it adorn the pages of Architectural Digest and House Beautiful. How did this style evolve from its origins in a humble, small religious community to the international design phenomenon it is today? This illustrated study explores the emergence of the Shaker style and how it was vigorously promoted by scholars and artists into the prominence it now enjoys. The heart of the Shaker style lies in the religious movement founded in the eighteenth century, where Stephen Bowe and Peter Richmond begin their chronicle. From there, the authors chart the evolution of the style into the twentieth century—particularly in the hands of design media, scholars, and art institutions. These Shaker “agents” repositioned Shaker style continuously—from local vernacular to high culture and then popular culture. Drawing on a rich array of sources, including museum catalogs, contemporary design magazines, and scholarly writings, Selling Shaker illustrates in detail how the Shaker style entered the general design consciousness and how the original aesthetic was gradually diluted into a generic style for a mass audience. A wholly original and fascinating study of American design and consumption, Selling Shaker is a unique resource for collectors, scholars, and anyone interested in the cultural history of a design aesthetic.
The definitive volume on Shaker commercial ephemera
Briefly traces the history of the Shakers, describes their lifestyle, and looks at Shaker furniture, architecture, boxes, brooms, fabric, clothing, and equipment
In 1758 the Shakers attracted a young woman named Ann Lees (later shortened to Lee). Married in 1762 to a blacksmith, she bore four children, three of whom died in infancy and the fourth as a small child. Always a spiritual woman, ...
Although the Shakers are best known today for their furniture and their innovative approach to design, the nineteenth-century Shaker communities were especially successful in two businesses: growing and selling vegetable...
The exterior of the meetinghouse was white , the interior a deep “ Shaker blue . ” It was dedicated on Thanksgiving Day , 1848 : “ A glorious occasion ! ” James Prescott wrote in his diary . ( SHS . ) Ja MEETINGHOUSE INTERIOR .
Shaker Inspirations: Five Decades of Fine Craftsmanship
Charming, colorful illustrations interweave with the text and conjure up the atmosphere of Shaker communities. A facsimile of the 1843 edition of The Gardener's Manual gives the reader a direct link to this inspiring tradition.
Under the general title "Physics and Engineering of New Materials" the book covers experimental and theoretical cutting-edge material-physics oriented topics such as new materials, magnetism, nanostructures, surface physics, carbon ...
'Shaker Handicraft' – the first Shaker exhibition at the Whitney Museum of American Art in 1935 – was only the first of many exhibits, and today the spirit of the Shakers – and the clean lines, solid construction and honest ...
An attractive fortysomething redheaded woman asks Avery about his antique coffee grinders. He spends twenty minutes talking to her. In the end, she doesn't buy a coffee grinder, but now she knows. A man named Jeff Bell, who's writing a ...