A strikingly original analysis of Isa Genzken’s move towards merging sculptural and architectural morphologies into the critique of commodity culture. Fuck the Bauhaus, made in the year 2000 out of quotidian objects and cheap materials foraged from New York City by the German artist Isa Genzken, marked a poetic and provocative departure from Genzken’s earlier work. Since the 1970s, Genzken’s “post-Minimalist” works had been like ruins in reverse, conjuring the haunting specters of recent catastrophe, destruction, and failure in the United States, while also playfully suggesting a degree of freedom and elevation. Analyzing how this mode gave way to a new penchant for appropriation, collage, and montage, André Rottmann offers a strikingly original analysis of Genzken’s move towards merging sculptural and architectural morphologies into the critique of commodity culture. In this new addition to the One Work series, Rottmann draws on the writings of Deleuze and Guattari, Bruno Latour, and other contemporaneous theorists of “assemblage” to illuminate Genzken’s work as a powerful reimagination of social relations in flux.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...