This volume of essays explores a range of country house collections in Ireland, the UK, US and Europe. It examines how collections were built up over time, how they were dispersed or destroyed, and how they have been interpreted and valued. Among the topics considered are the impact of exhibitions, auctions, and tax systems, private versus institutional collectors, the range of audiences who appreciate art, and how collections are made to tell national stories.
comparatively few country-house guidebooks were published in the Victorian period.14 In the later nineteenth century, many country houses were closed to visitors: out of about a hundred houses which were 'publicized as open to the ...
See Douglas J. Hamilton, Scotland, the Caribbean and the Atlantic World 1750–1820 (Manchester: Manchester University Press, 2005), pp. 63 and 145; Alan L. Karras, Sojourners in the Sun: Scottish Migrants in Jamaica and the Chesapeake, ...
Fatsar, K., 'Hungarian Garden Tourists in Search of Lancelot Brown's Legacy', Garden History, 44:1 (2016), pp. 114–24. Felus, K., The Secret Life of the Georgian Garden: Beautiful Objects and Agreeable Retreats (London: I. B. Tauris, ...
P. Harris, A History of the British Museum Library, 1753–1973, London 1998, p.34; W. Macray, Annals of the Bodleian Library, Oxford 1890, p.193. 21. K. Jensen, Revolution and the Antiquarian Book: Reshaping the Past, 1780–1815, ...
Conversely, Georgian country houses and collections have experienced a publishing bonanza, absorbing far more print than they ever did in the Georgian period itself. By contrast with their counterparts in London, even those examples ...
As well as castles and manor houses, there was another precursor to the country house: the pleasance. ... 'Wher he may finde Plesance of love, his herte boweth,' wrote the poet John Gower – and a playful name might be attached.
In 1747 Sanderson Miller began the construction of a sham castle on the estate at Hagley Hall (Worcester.), one of the first gothic artificial ruins. Another sham ruin, referred to as Yorke's Folly, was built on the Bewerley Estate ...
... National Trust: The Next Hundred Years. Ed. Howard Newby. London: The National Trust, 1995. 53–69. Print. Cormack, Patrick. Heritage in Danger. London: New English Library (Times Mirror), 1976. Print. ———. Heritage in Danger.
In earlier centuries, the country house, almost without exception, functioned as the centre of power on a country estate, ... as venues for the (mostly amateur) efforts pursued by their owners, and as a place to display art collections.
By 1851 the house was owned by Miss Boydell and let to a barrister, George Bennett.4 In 1865 the property had passed to Isaac Scott Hodgson, when the Liverpool architect William Culshaw designed alterations and ...