James Kelman is Scotland’s most influential contemporary prose artist. This is the first book-length study of his groundbreaking novels, and it analyses and contextualises each in detail. It argues that while Kelman offers a coherent and consistent vision of the world, each novel should be read as a distinct literary response to particular aspects of contemporary working-class language and culture. Richly historicised through diverse contexts such as Scottish socialism, public transport, emigration, ‘Booker Prize’ culture and Glasgow’s controversial ‘City of Culture’ status in 1990, Simon Kovesi offers readings of Kelman’s style, characterisation and linguistic innovations. This study resists the prevalent condemnations of Kelman as a miserable realist, and produces evidence that he is acutely aware of an unorthodox, politicised literary tradition which transgresses definitions of what literature can or should do. Kelman is cautious about the power relationship between the working-class worlds he represents in his fiction, and the latent preconceptions embedded in the language of academic and critical commentary. In response, this study is boldly self-critical, and questions the validity and values of its own methods. Kelman is shown to be deftly humorous, assiduously ethical, philosophically alert and politically necessary.
WINNER OF THE BOOKER PRIZE ‘A passionate, scintillating, brilliant song of a book’ Guardian Sammy's had a bad week.
Guy robbed the rich to feed the poor; yeah, Robin Hood. Was Robin Hood Scottish? No sir, he would not wear no green uniform! Declan chuckled into the mic. Scotch joke right? A few in the audience laughed but most seemed not to know ...
A collection of short stories by the Booker Prize-winning Scottish master Giving voice to the dispossessed and crafting stories of lives held in the balance, James Kelman reaches us all.
James Kelman, the Man Booker Prize–winning author of How Late It Was, How Late, tells the story of Helen—a sister, a mother, a daughter—a very ordinary young woman.
James Kelman has long been regarded as one of the finest writers of fiction in the world. In this brilliant collection of essays he deals with matters literary, artistic, political...
... arse in the air and having to take the weight of yer entire body no on yer elbows but yer hands and wrists; first thing to control is yer wind; it is all worth the effort but because ye master the art of midway-levitation, ...
Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.
Follow the rebirth of Scottish literature from one of the finest current English writers. The Good Times is a humorous and dazzling collection of short stories that continues a tradition...
aye) for emphasis and how come for why.5 It is to be expected that there are also many grammatical features that are ... In grammatical terms, the English lexis-oriented passage is entirely consistent in its use of English grammar, ...
Living in a bedsit, just coping with the boredom of being a busconductor, and fully aware that his plans to emigrate to Australia won't come to anything, Robert Hines is a young Glaswegian leading a pretty drab life.