This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book provides a detailed consideration of the history of racing in British culture and society, and explores the cultural world of racing during the interwar years. The book shows how racing gave pleasure even to the supposedly respectable middle classes and gave some working-class groups hope and consolation during economically difficult times. Regular attendance and increased spending on betting were found across class and generation, and women too were keen participants. Enjoyed by the royal family and controlled by the Jockey Club and National Hunt Committee, racing's visible emphasis on rank and status helped defend hierarchy and gentlemanly amateurism, and provided support for more conservative British attitudes. The mass media provided a cumulative cultural validation of racing, helping define national and regional identity, and encouraging the affluent consumption of sporting experience and a frank enjoyment of betting. The broader cultural approach of the first half of the book is followed by an exploration if the internal culture of racing itself.
From the prize-winning author of Flat Racing and British Society 1780-1914, this is the first book to provide a detailed consideration of the history of racing in British culture and society and to explore the cultural world of racing ...
... literary recreations at Worton Hall, Pearson first broached Britain's horseracing culture by writing the adaptation of Edgar Wallace's 1913 novel Grey Timothy for Gaumont-British's Pallard the Punter (J. L. V. Leigh, January 1919), ...
post or in the Royal Enclosure at Ascot, sporting mad hats and cleavages (and probably an umbrella) is a very British experience. Further reading Magee, S. and Aird, S. (eds), Ascot: The History (London: Methuen, 2002).
Brian Singleton's book-length study of writer, actor, and director Oscar Asche is explicitly entitled Oscar Asche, Orientalism and British Musical Comedy (2004), while Platt (2004, pp. 65–82) considers the way in which musical comedies ...
67 On body fascism, see J. A. Mangan (ed.), Shaping the Superman: Fascist Body as Political Icon – Aryan Fascism (London: Frank Cass, 1999). 68 The DailyWorker regularly carried pictures of healthy, suntanned female Soviet athletes, ...
When Selfridges opened its Orchard Street extension in 1922, it advertised its new menswear department with a display aimed specially at Ascot (Laird 1976: 192–94). The theatricality of major sporting events made them more of an ...
Part, Alexander F., The Art and Practice of Innkeeping, London: William Heinemann, 1922. ... Mayhew's Characters, London: Spring Books, n.d. Quinn, Arthur H., and O'Neill, Edward H., The Complete Tales and Poems of Edgar Allan Poe, ...
Even in areas of distinct economic success, such as the pre-eminence of London as a financial centre, negatives can be found. ... (London, 1998) and David Cobham, The Making of Monetary Policy in the UK, 1975–2000 (Chichester, 2000).
10 T. [Theresa] Howe, The Owner Groom: Guide to Horse Management by Amateurs (London: Country Life, Ltd., 1938), 133–134; Doreen Archer Houblon, Sidesaddle (London: Country Life, Ltd., 1938), 5; “The Sidesaddle: Modern Version,” The ...
“The Long-Term Influence of Eastern European Jewish Immigrants on the Reception of German Jews into Great Britain in the ... 59 See, Clapson, A Bit of a Flutter, Chapter 3; Huggins, M. Horseracing and the British 1919–1939 81 'Gaming ...