What makes a film a teen film? And why, when it represents such powerful and enduring ideas about youth and adolescence, is teen film usually viewed as culturally insignificant? Teen film is usually discussed as a representation of the changing American teenager, highlighting the institutions of high school and the nuclear family, and experiments in sexual development and identity formation. But not every film featuring these components is a teen film and not every teen film is American. Arguing that teen film is always a story about becoming a citizen and a subject, Teen Film presents a new history of the genre, surveys the existing body of scholarship, and introduces key critical tools for discussing teen film. Surveying a wide range of films including The Wild One, Heathers, Akira and Donnie Darko, the book's central focus is on what kind of adolescence teen film represents, and on teen film's capacity to produce new and influential images of adolescence.
--Library Journal The Ultimate History of the '80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and ...
... WOMAN INTO CINEMA Janet McCabe MELODRAMA : GENRE , STYLE , SENSIBILITY John Mercer and Martin Shingler FILM PERFORMANCE : FROM ACHIEVEMENT TO APPRECIATION Andrew Klevan NEW DIGITAL CINEMA : REINVENTING THE MOVING IMAGE Holly Willis ...
Lara Croft, Tomb Raider (2001) PG-13 Lara Croft, The Cradle of Life (2003) PG-13 The aristocratic, sexy, and kick-butt heroine Lara Croft jumps from the videogame franchise to the big screen in these two solid action flicks.
The 1988 girl teen film Heathers (Lehmann) parodies the earnest treatment of adolescence found in the John Hughes films released earlier in the decade, films such as The Breakfast Club (1985), Pretty in Pink (1986) and Some Kind of ...
A fascinating account of the evolution of the "teen movie" analyzes more than one hundred films for and about teenagers, discusses the relationship between teen movies and the youth movement, and offers a comprehensive filmography of teen ...
Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.
Similarly, Jason Middleton (2007) has argued compellingly, in relation to their lateseventies and late- nineties incarnations, that such female protagonists also offered a powerful way of making female- centered filmed entertainment ...
New York: Macmillan. Ford, R. (1939) Children in the Cinema. London: George Allen and Unwin. Forman, H. J. (1933) Our Movie Made Children. New York: Macmillan. Gliberman, O. (1999) 'American Pie', Entertainment Weekly, July 16, 44.
... as well as to the Plastics, comprised of Regina, Gretchen (Lacey Chabert) and Karen (Amanda Seyfried), and 'the greatest people you will ever meet', a group that consists of Janis herself and her friend Damien (Daniel Franzese).
When Mack and Brady get transported into 1960s musical 'West Side Story', they find themselves in the middle of a surfers vs bikers war.