The Darker Side of Light: Arts of Privacy, 1850-1900
- ISBN-10
- 1848220219
- ISBN-13
- 9781848220218
- Category
- Art / History / General
- Pages
- 180
- Language
- English
- Published
- 2009
- Publisher
- National Gallery of Art
- Authors
- Nicholas Penny, National Gallery of Art, Peter W. Parshall
Description
For many today, the art of the late nineteenth century is equated with impressionism and post-impressionism. This book with its insightful essays and remarkable works of art presents us with an alternative account of the period.
For collectors the experience of prints, drawings, and small sculptures was often a private affair, like taking a book down from the shelf for quiet enjoyment. Prints and drawings were kept aside, compiled in albums and portfolios, while medals and bronzes were often placed in the seclusion of the library. In short, such works of art were not typically a part of one's day-to-day environment in the manner of a framed object hung on a wall. Rather, they were subject to purposeful study on chosen occasions. From the beginning this element of discreteness allowed for degrees of experiment, leading artists to some times recherche, sometimes enigmatic, and often melancholy subjects that indulged the solitary circumstances of their reception.
By explicating a range of highly engaging, often mysterious and beautiful objects, The Darker Side of Light evokes the shadowed interiors and private introspections that compose a far less familiar history of late nineteenth century art.
Get the book
Similar books
-
Breaking Frame: Technology and the Visual Arts in the Nineteenth Century
By Julie WoskTechnology and the Visual Arts in the Nineteenth Century
-
What Great Paintings Say: Masterpieces in Detail
By Rose-Marie Hagen, Rainer HagenWhat Great Paintings Say: Masterpieces in Detail
-
Orazio and Artemisia Gentileschi
By Keith Christiansen, Judith Walker Mann, Orazio GentileschiCiampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
-
I Want to See This Annie Mattygraph: Cartoon History of the Coming of the Movies
By Stephen BottomorePer tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
-
Dada & Surrealism A&i
By Matthew GaleIn the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
-
The Art of John Biggers: View from the Upper Room
By Alvia J. WardlawCatalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
-
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
By Elizabeth ShepherdThe art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
-
The Paintings of Karel Du Jardin, 1626-1678: Catalogue Raisonné
By Jennifer KilianAccording to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
-
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
By David Smith, Steven A. Nash, Candida N. SmithDavid Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
-
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei
By Irving SandlerAbstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei