When Irish born Bram Stoker's Dracula was published in 1897, vampires were creatures of myth and fantasy. It had taken seven years of research into European folklore and a nightmare (allegedly caused by eating too much crab) about a vampire king rising from the grave before the book was finished. There were many adventure writers at this time penning books about impending threat and invasion of the Empire and Dracula was well received. However, despite literary acclaim, Stoker was never able to make much money from his work and died in 1912 almost penniless. It was not until the advent of film that a new genre was truly born. From Nosferatu to the Blade Trilogy vampires are very much here to stay.
In Teaching the Gothic, edited by Anna Powell and Andrew Smith, 29-47. Basingstoke: Palgrave, 2006. ... 1: 109-11. "Horrid” (Northanger) Novels Glock, Waldo S. ”Catherine Morland's Gothic Delusions: Bibliography 287.
Newly married, newly widowed Elsie is sent to see out her pregnancy at her late husband's crumbling country estate, The Bridge.
Three classic Gothic novels: Horace Walpole's The Castle of Otranto, Thomas Love Peacock's Nightmare Abbey and William Beckford's Vathek
Set in the village of Chapelizod, near Dublin, in the 1760s, the story opens with the accidental disinterment of an old skull in the churchyard, and an eerie late-night funeral.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
These essays identify the Gothic tradition as the cultural context for understanding texts dealing explicitly with terror and horror and works expressing Moore's interest in magic and psychogeography.
Development ofthe Horror Genre (Jefferson, NC: McFarland, 2008); Cemetery Dance magazine; The Complete Review; Ellen Datlow's yearly “Summation” from The Years Best Fantasy and Horror (New York: St. Martin's, through the twenty-first ...
Throughout the collection, the Gothic heroine's representation is explored within the medium, which brings together image, movement, and sound, and this technological fact takes on varied significance.
De Manian deconstruction's Gothic reanimation of the machine as an autonomic nervous system can be set against the current techno-euphoria among posthumanists influenced by Deleuze and Guattari's theories of machinic assemblages.