1932 was an extraordinary year for Picasso, even by his own standards. His paintings reached a new level of sensuality and he cemented his status as the most influential artist of the time. Over the course of this year he created some of his best-loved works, from colour-saturated portraits to surrealist drawings, developing ideas from the voluptuous sculptures he had made at his newly acquired country estate. In his personal life, throughout 1932, Picasso kept a delicate balance between tending to his wife Olga Khokhlova and their son Paulo, and his passionate love affair with Marie-Therese Walter, twenty-eight years his junior. This publication will bring these complex artistic and personal dynamics to life. Exhibition: Tate Modern, London, UK (08.03.-09.09.2018).
It was also a year of invention and reflection. Having recently turned fifty, Picasso embarked on the first volume of what remains the most ambitious catalogue of an artist's work ever made.
Le er to O o Meyer-Amden, December 14, 1932—Oskar S lemmer, Briefeund Tagebu er, ed. Tut S lemmer, Muni 1958, p. 304. 53. H.O., 'Soll die Stadt die Picasso Ausstellung finazieren helfen?' Volkesrecht, 35:239 (October 11, ...
Picasso 1932
An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier
Niobid, Lola Ruiz, Corina Romeu, Seìora Soler, Sada Yacco, the three Jeannes, Suzanne Bloch, Alice Derain, Fernande Olivier, Gertrude Stein, Eva Gouel, Fanny Tellier, Gabrielle Depeyre, Ir¿ne Lagut, Eugenia Errazuriz,...
The writer Raymond Queneau noted in his diary (October 19, 1931) that Picasso had “resumed chasing girls.“ These affairs were usually casual. Sometime in 1932, however. Picasso took a liking to a Japanese model and did at least two ...
These are tumultuous years, Picasso torn between marital respectability with Olga, the Russian ballerina who was his first wife, and the erotic passion of his mistress, Marie-Therese.
Photographs I 21 2 22-3 24 25 26 27 28 Picasso in his studio on rue La Boétie . Behind him , Le Douanier Rousseau's Yadwigha ( 1932 ) . Picasso's studio , rue La Boétie , with a painting by Le Douanier Rousseau ( 1932 ) .
This volume traces the artist's depictions of eight women who played a prominent role in the artist's life and art: Fernande Olivier, Olga Khokhlova Picasso, Sara Murphy, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, Sylvette David, ...
There are also portraits of Apollinaire, Max Jacob and Gertrude Stein who made up "The Picasso Gang". The book won the 1991 Whitbread biography award.