"Based around the matchless collections of British ceramics in the Victoria and Albert Museum, which curators began to assemble as early as the 1840s, this book charts the story of their development from the simple slipware drinking-vessel of the seventeenth century to the sophisticated enamelled and transfer-printed tableware of the early 1800s. The narrative takes us through successive changes of taste and manners, as British potters assimilated and adapted new, and often disparate, influences from Europe and the Far East. Ceramics, ubiquitous, disposable and quintessentially domestic, tended to reflect social changes quicker than other branches of the applied arts; for example, new fashions in dining and the taking of tea were responsible for major aspects of design and decoration, while the rapid rise of the Staffordshire figure enabled it to become a vehicle for satire, religion, or the commemoration of wildly popular but ephemeral events such as boxing matches and visits from touring menageries." "Keeping carefully chosen pieces, illustrated, at the forefront of his discussion, Robin Hildyard treats the subject variously by material, form, decoration or by broader theme, sometimes cutting across traditional boundaries in order to look behind established myths and the often misleading evidence of what has survived. The methods and history of manufacture are fully explored, from the workshop of the independent village potter to the industrialized nineteenth-century factory struggling with the stormy beginnings of trade unionism. The complex trade in ceramics both at home and abroad, and the transition from utilitarian household object to cherished item in collector's cabinet is also examined, along with the symbiotic relationship between collector and museum. This volume, filling the gap in current ceramic literature between narrower scholarly studies and the opulent catalogues of private collections, presents an expert and yet highly accessible view of a particularly rich seam of British material culture, guiding us from familiar ground into wider and sometimes uncharted territory."--BOOK JACKET.
Greek vases: gods, heroes and mortals
盖身阴线两周弦纹将装饰分成三组,上组镂三层问隔排列的花孔和褐彩莲花云纹,中组和下组分别褐彩不同形态的云纹。炉身直口,寬平折沿,简腹平底。折沿满绘莲花。炉身阴线三周,上下各绘五组云纹。平底外缘置等距五虎首兽足,虎首睁眼露牙,额部阴刻“王”字。
景德镇陶瓷的历史久远,古今中外的影响都非常大。中国及各地大量出土的景德镇陶瓷文物以及收藏界对景德镇瓷器产品的拍卖,印证出景德镇瓷器巨大的历史价值。
Ralph and Terry Kovel are proud to present the most authoritative and current art pottery book on the market, Kovels' American Art Pottery: The Collector's Guide to Makers, Marks, and...
You may be the owner of a valuable piece of porcelain or pottery, but the cryptic symbol on the underside of the piece may be your only clue to its...
Sèvres then and Now: Tradition and Innovation in Porcelain, 1750-2000, showcases the longstanding achievements of the French porcelain factory, in particular its unparalleled invention and creativity over three centuries. Featuring...
This is a black-and-white facsimile reprint of the 1909 edition of "Handbook Of Marks On Pottery & Porcelain". Although it has been checked manually, it may contain imperfections such as...
Includes examples from Great Britain, Italy, Germany, Belgium, The Netherlands, France, Spain, Portugal, Scandinavia, Austria, Switzerland and America Antique Collectors' Club is privileged to present a book written for all...
The Rookwood pottery, founded in Cincinnati, Ohio, produced experimental decorated and commercial pottery from 1880 until 1967. This new book stands ahead of all other references by offering the most...
Traces the history of the Rookwood Pottery Company, shows examples of its vases, jars, and teapots, and describes how they were thrown, decorated, and glazed