The word ?maharaja” ? literally ?great king” ? conjures up a vision of splendor and magnificence: ropes of pearls, huge diamonds, jeweled turbans, elaborately carved furniture, shimmering textiles in every imaginable color. This lavishly illustrated book, published to accompany a major exhibition at the Victoria and Albert Museum, London, examines the real and perceived worlds of the maharaja from the early eighteenth century to 1947, when the Indian Princes ceded their territories into the modern states of India and Pakistan.
The book explores the spectacular material culture of India's rulers, showcasing rich and varied objects that reflect different aspects of royal life. Paintings, photographs, textiles and dress, jewelry, jeweled objects, metalwork, and furniture? Indian objects as well as pieces imported to India from the West?are considered within a broader historical context, exploring royal status and identity, court culture and patronage.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei