To enter Mike Nelson's The Coral Reef is to enter a parallel world. Rooms, doors, passageways, all bear traces of habitation and decay. Different, often conflicting, ideologies or belief systems are presented through these traces. The implied occupants of Nelson's world appear to be detached from the political and economic centre, left to exist at the margins of globalised, capitalist society. The work's title alludes to this collection of complex, fragile belief systems that form an obscured layer - a coral reef - beneath the 'ocean surface' of prevailing orthodoxies. Nelson's absent protagonists occupy positions of resistance in the face of dominant ideologies. However, Nelson perhaps conveys a sense of inevitable futility about such resistance. In his words, he wants the spectator to feel 'lost in a world of lost people'.
What if an aging, unsuccessful Minnesota author of history books with names like Old von Steuben Had a Farm: The German-American Settlement of the Midwest decided he could write a book every bit as vapid and ridiculous as the books that ...
In more than 50 hilarious all-new essays, one of America's brightest young humorists -- the head writer and on-air host of the legendary TV series Mystery Science Theater 3000 -- finds the fun in all aspects of the human condition, no ...
Here is a film critic for the rest of us: the outrageous, hilarious Mike Nelson.
This is the world's smallest book on the world's biggest problem: CO2 and climate change. This book provides a concise and entertaining introduction to the most pressing environmental issue of our time.
... Western History Department (left); Douglas County Public Library (right) P. 212: Denver Public Library Western History Department P. 214: Robert Duncan (both) P. 216: Douglas County Libraries/ Douglas County History Research Center; ...
This accompanying publication includes newly commissioned texts by Dan Cameron and Rachel Withers, and colour plates of the new work in progress.
In 2007, artist Mike Nelson transformed the disused interior of the Essex Street Market on New York's Lower East Side, taking audiences on a journey through his installation "A Psychic Vacuum," a series of reconstructed rooms and ...
Tiré du site Internet de Book Works: "" ... And of course in terms of making spaces that claim to be something they're not, I just like the idea of...
A carpenter's workshop seems long abandoned and traces of human activity can still be made out, yet this is, in fact, a construct of the artist, just like the spotlit theater stage.
Turner Prize nominee Mike Nelson is known for his large-scale sculptures and installations made up of sequences of interconnecting rooms that suggest real or remembered places. To encounter it is...