The court of Charles II was a focus for exuberance, glamor and revelry after the constraints of the Civil War and Interregnum. Portraits, both literary and visual, were an important part of the cultural production of the court, reflecting the spirit of the age as much as the characteristics of the individuals portrayed. The magnificent oil paintings of court women are some of the most sumptuous of all works of art.
The first new study of Restoration portraiture in nearly twenty years, this book looks at some of the most beautiful and fascinating portraits of court women of the period, from royal brides and daughters to mistresses and actresses. By studying the context in which their portraits were produced against the biographies and reputations of the women themselves, this book sheds new light on one of the most complex and intriguing areas of British art history. Essays by international scholars explore the cultural context of the Restoration court, sexual politics and the role of women at court, the making and meaning of women's portraits and the critical history of Restoration portraiture. These are supplemented by a lavishly illustrated catalogue of 120 portraits by some of the most important artists of the time, including Lely and Kneller, together with biographies of the sitters themselves.
Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.
Formerly of Cooper - Hewitt : Todd Olson At The Metropolitan Museum of Art : Christine Brennan , Roger Haapala , Jessie McNab , Jeffrey Munger , Clare Vincent , Beth Carver Wees , Deanna Cross and the Image Library staff .
DESMOND FITZGERALD Born 1846 , Nassau , Bahamas ; died 1926 , Brookline , Mass . home and prompting them to acquire more art . They bought Hunt's Gloucester Harbor ( cat . 24 ) as well as paintings by J. Foxcroft Cole and several French ...
33 André was long presumed to have worked with his father , Alphonse Giroux , a well - known art dealer . In fact , André and his brother , Alphonse - Gustave , bought the firm from their parents in 1838 , making them the sole owners .
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Introduction by Nancy M. Doll. Text by Xandra Eden, Gary Indiana.
( 11.7 X 15.7 cm ) Atelier stamp in red on verso , upper right : “ Atelier Ed . Degas " Inscribed lower right : “ Schneider , Berlin " Gerstenberg collector's stamp on verso , lower center M.1979.1 PROVENANCE : Edgar Degas ( sale ...
UKIYO-E PAINTINGS PB
The Lane Collection: 20th-century paintings in the American tradition ; Museum of Fine Arts, Boston, April 13, 1983 - Aug....
Robert Whitman: Playback