Since his death at the age of sixty-�‐four in 1966, Alberto Giacometti has become recognised internationally as one of the most important artists of the twentieth century and sales of his sculptures now achieve record-�‐breaking prices. Belonging to no particular artistic movement, he developed through cubist and surrealist phases and later attained a mature, individual idiom whose preoccupation with the depiction of a human presence in an enveloping space may be seen in relation to contemporary existentialist concerns with defining the place and purpose of man in a godless universe. Taking its title from Jean-�‐Paul Sartre, who described Giacometti's endeavour to give 'sensible expression' to 'pure presence', the book explores the artist's work in relation to existentialist ideas. Spanning painting, sculpture, drawing and printmaking, Giacometti's oeuvre ranges from idiosyncratic surrealist objects to intensely observed images of the human figure, with images of particular individuals at the centre. This book, like the exhibition it accompanies, looks at the various phases of the artist's career and explores in detail his depiction of his main sitters, including his mother; Diego his brother; his wife Annette; Jean Genet the playwright; Caroline, a prostitute; and his friends Yanaihara and Lotar. Early drawings, paintings and sculptures of members of his family and his own image demonstrate Giacometti's awareness of post-�‐ impressionist and divisionist styles. After moving to Paris in 1922, until the late 1930s he made progressively abstracted images of a range of sitters. From 1946 Giacometti resumed painting and depicting an individual human presence became central to his work. After 1954, when he began making sculpture from life, increasingly his portraits evolved as the outcome of an ongoing dialogue between painting and sculpture. Giacometti subjected the human image to a radical process of interrogation and transformation in which the exploration and representation of flesh, presence, distance and space are vital, interacting elements. As a result, a human presence seems poised between being and non-�‐ being, providing the basis for Giacometti's reputation as one of the most innovative artists of the last century.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
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Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...