M. Pellegrino, “Intorno a 24 omelie falsamente attribuite a s. Massimo di Torino,” in Studia Patristica, ed. K. Aland and F. L. Cross, Texte und Untersuchungen 63 (Berlin, 1957), I: I 34-4I. See A. von Harnack, “Die Pfaff'schen ...
–Plato, Phaedo In Forgers and Critics: Creativity and Duplicity in Western Scholarship, Anthony Grafton sees an inexorable link between the growth of humanistic scholarship and the many ingenious forgeries (some of them still undetected ...
Fakes and Forgers of Classical Literature comprises essays which revise the position of the forged text in the literary tradition and, in light of modern approaches of philology and literary criticism, offer exciting new strategies for ...
been as reluctant to concede that women do this sort of thing as Queen Victoria apparently was to believe that some of them have sex with one ... 43 De Grave , Swindler , Spy , Rebel ; Landay , Madcaps , Screwballs , and Con Women .
Herbert Hunger, Lexikon der griechi- schen und rbmiscben Mythologie, mit Hinweisen auf das Fortwirken antker Stoffe und Motive in der bildenden Kunst, Literatur und Musik des Abendlandes bis zur Gegenwart, 8th rev. ed.
9. grafton, Forgers and Critics, 26. 10. ibid., 30. 11. chambers, History and Motives, 21. 12. grafton, Forgers and Critics, 28; see further delisle, “cujas déchiffreur de papyrus.” 13. grafton, Forgers and Critics, 28 and 54–55; ...
25 What follows is in part based on personal recollections of the author, but one may also consult Margaret L. KING, Iter Kristellerianum: The European journey (1905-1939), «Renaissance Quarterly», XLVII, 1994, pp.
Drawing new connections between text and craft, publishing and intellectual history, Grafton shows that the life of the mind depends on the work of the hands.
See LaFollette , Stealing into Print , 43 ; Grafton , Forgers and Critics , 61-62 ; De Baets , Censorship , 17 . 55. Bloch , Apologie , 43 ; Gilles Constable , " Forgery and Plagiarism in the Middle Ages , " Archiv für Diplomatik ...
Forgery and Counter-forgery: The Use of Literary Deceit in Early Christian Polemics is the first major contemporary work on forgery in early Christian literature. It examines the motivation and function behind Christian literary forgeries.