"Art mattered in the Renaissance... People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives, " write the authors of this important new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. This book discusses how men and women of the Renissance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. It covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy.
本书介绍了美第奇家族从银行业起家,逐渐获取政治地位,14到17世纪的大部分时间里,他们成为佛罗伦萨实际上的统治者,以及家族的衰落。
The Renaissance in Italy: The Fine Arts
Captures a vibrant movement in Italian art in the 1950s, through the innovative works of three leading artists: Alberto Burri, Lucio Fontana and Piero Manzoni.
The letter is from Niccolò's young relation Lorenzo di Matteo Strozzi to his mother, Alessandra Strozzi, April 28, 1446: “Egli si ene tanto grasso che non si può muovere” (Strozzi 1877 ed., p.
BAUMGART 1963 = F. Baumgart , Renaissance und Kunst des Manierismus ( Köln 1963 ) . BAXANDALL 1964 = M. Baxandall , Bartholomaeus Facius on Painting ( Journal of the Warburg and Courtauld Institutes 27 , 1964 ) 90-100 .
Leonardo Da Vinci: Drawings from the Biblioteca Reale in Turin
Leonardo Da Vinci: Drawings from the Biblioteca Reale in Turin
The society that produced the glories of Renaissance art was a multi-faceted one. on the one hand it produced the tender work of Giotto and the brilliance of Leonardo; on the other it encompassed the atrocities of Borgia, the fanaticism of ...
Imago Triumphalis: The Function and Significance of Triumphal Imagery for Renaissance Rulers examines how independent rulers in fifteenth-century Italy used the motif of the Roman triumph for self-aggrandizement and personal expression.
Featuring 90 full-color photos of many of the masterpieces of the movement, the book delves into the work of such masters as Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Fra Angelico. Full-color photos and illustrations.