"An international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual Art grew out of the legacy of Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and ownership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. Thse included the gulf between initial idea and finished work, the value assigned works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol LeWitt, Marcel Broodthaers and Mary Kelly. The influence of Conceptual Art continues to be felt today in the work of such controversial young artists as Rachel Whiteread and Damien Hirst." - back cover.
Conceptual art is first and foremost an art of questions. As this book demonstrates, Conceptual art continues today to raise fundamental questions not only about the definition of art itself but also about politics, the media and society.
A year after Richard Prince's Untitled (cowboy) photograph set a record for the most expensive photograph ever sold at auction, a study of a work from Richard Prince's series of...
m CM Mangold, Robert, 88, 93 Areas, 88 Manzoni, Piero, 178n51 "March 1-31, 1969," 207nl6. ... 62-63, 187n9 Meyer, Ursula, 198n32, 210n47 Mile Long Drawing (De Maria), 65 Milkowski, Antoni, 196n2 Miller, Dorothy, 175n25 Minimalism, 18, ...
When published in 2003 Art and Photography was the first book of its kind to survey the major presence of photography at the centre of artistic practice from the 1960s...
37 Jim Drobnick, “Multicultural Blues: An Interview with Michele Wallace,” (1990) in Dark Designs and Visual Culture, ed. Michele Wallace (Durham: Duke University Press Books, 2004), 239. 38 Challenges to the binary status of the ...
Osborne, P. (1999), 'Conceptual Art and/as Philosophy', in M. Newman and J. Bird (eds.), Rewriting Conceptual Art (London: Reaktion Books, 1999), 47–65. Piper, A. (1993), 'The logic of modernism', Flash Art, 26: 56–8, 118, 136.
Mapping: Situationists and/or conceptualists. In Rewriting conceptual art, ed. Michael Newman and John Bird, 27–46. London: Reaktion. Wollheim, Richard. 1987. Painting as an art. princeton: princeton University press. Wood, William.
In Conceptual Art and Painting, a companion to his Essays on Art & Language, Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of "neo-Conceptual" art.
Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot Altaf, the Atlas Group, Amar Kanwar, Sol LeWitt, Gordon Matta-Clark, ...
Many of the essays and artists' statements have been translated into English specifically for this volume.