An international movement that followed specific geographical-cultural patterns, Conceptual Art built on the legacy of Marcel Duchamp, redefining the institutional and social relationships among production, work and audience in ways which have comprehensively transformed the nature of the art object and forms of artistic practice, both historically and in the present. Investigating and documenting the histories, theories and forms of Conceptual Art, this timely book, including both established writers and a new generation of art historians, shows that Conceptual Art was a broad movement encompassing a range of artistic tendencies. This is the most stimulating account of the movement to date, arguing forcefully for its vitality and potential as well as examining its influence on art today. With essays by Alex Alberro, Stephen Bann, Jon Bird, David Campany, Helen Molesworth, Michael Newman, Peter Osborne, Birgit Pelzer, Desa Philipagesi, Anne Rorimer, Peter Wollen and William Wood.
Conceptual art is first and foremost an art of questions. As this book demonstrates, Conceptual art continues today to raise fundamental questions not only about the definition of art itself but also about politics, the media and society.
m CM Mangold, Robert, 88, 93 Areas, 88 Manzoni, Piero, 178n51 "March 1-31, 1969," 207nl6. ... 62-63, 187n9 Meyer, Ursula, 198n32, 210n47 Mile Long Drawing (De Maria), 65 Milkowski, Antoni, 196n2 Miller, Dorothy, 175n25 Minimalism, 18, ...
A year after Richard Prince's Untitled (cowboy) photograph set a record for the most expensive photograph ever sold at auction, a study of a work from Richard Prince's series of...
This volume provides an authoritative overview of photography's place in recent art history, contextualised by artists' statements and interviews, and texts by leading critics, writers and theorists of the late 20th century. 250 photos.
Osborne, P. (1999), 'Conceptual Art and/as Philosophy', in M. Newman and J. Bird (eds.), Rewriting Conceptual Art (London: Reaktion Books, 1999), 47–65. Piper, A. (1993), 'The logic of modernism', Flash Art, 26: 56–8, 118, 136.
Mapping: Situationists and/or conceptualists. In Rewriting conceptual art, ed. Michael Newman and John Bird, 27–46. London: Reaktion. Wollheim, Richard. 1987. Painting as an art. princeton: princeton University press. Wood, William.
In Conceptual Art and Painting, a companion to his Essays on Art & Language, Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of "neo-Conceptual" art.
See also popular culture mass media art: advertisements, 57; dematerialization, 11; Happenings (Masotta) (1967) (essay), 48, 58; ideologies, 36, 50, 57; immateriality, 58;Jacoby, Roberto, 50–51, 179nn78,79; Masotta, Oscar, 14–17, 27–30, ...
... American modernism that the Australian art critic Patrick McCaughey published in the Australian journal Quadrant while ... later.8 Smith identifies in McCaughey's essay “a problem especially pertinent to Australian art at this time, ...
The first book to describe art’s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art.