As voice teachers, we should strive to help our students uncover their individual sound, and to facilitate technical consistency. Further, we as teachers should ultimately guide students to positive, independent, and emotionally engaged performances on stage - or in recordings. Some teaching approaches may guide students to these experiences – others may not. A successful outcome of vocal study occurs when the student no longer needs their teacher – they are independent and autonomous singers and musicians, and are able to teach themselves – or perhaps others. This study views the student-teacher relationship in the voice student through an existentialist lens influenced by the Sartrean principles of responsibility and freedom. The study examines some commonly used teaching approaches – viewing them from an historical perspective through the National schools in vocal instruction to more current approaches that may be commonly found in higher education teaching studios. This study offers a perspective that hopes to foster discussion, a re-examination of, and self-reflection in the teaching practices of higher education vocal instruction. The research is grounded in hermeneutic phenomenology. This paradigm was a means by which to unearth and uncover the lived experience of students undergoing vocal study. One that was guided by a framework of instruction influenced by the Sartrean notions of responsibility and freedom.
The appoggio, or the initiation ofthe sound, is the means for developing the messa di voce. ... Ponselle's voice was like a slender thread being drawn through aneedle-always pliable, and it was possible to "feel" the hum or drone.
Containing essential information for all singers, including original research on the mechanics of the voice, this book collects in one volume everything that renowned instructor and singer Richard Miller considers essential to the art of ...
The Renaissance of the Vocal Art: A Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers...
Esther Salaman's singing career started in 1940 with regular concerts and broadcasts. For the last 30 years she has been teaching and during this period has evolved a distinctive method...
Towards Vocal Freedom: Alexander Technique and the Use of the Singing Voice
This invaluable text breaks down complicated singing concepts with 64 specific vocal exercises designed to overcome faults and to develop vocal virtuosity.
The Art of Singing
Two of opera's greatest names offer encouragement and useful, nontechnical advice in this classic guide.
David Joseph Bohm (1917–1992), American-born quantum physicist speaking to Joseph Jaworski in Synchronicity: The Inner Path of Leadership (San Francisco: Berrett-Koehler Publishers, ...
Journal of Voice. https:// doi.org/1-.1016/j.jvoice.2018.11.010 Illi, S., Held, U., Frank, I., & Spengler, C. (2012). Effect of respiratory muscle ... Phyland, D., Thibeault, S., Benninger, M., Vallance, N., & Greenwood, K. (2013).