Each of the thirty-nine films that Wise has directed is presented here in photographs, a complete cast and credits listing, a story synopsis, and, most importantly, Robert Wise's own comments. Robert Wise on His Films is illustrated with 270 photographs and includes a short biographical portrait of Wise that draws heavily on his own words and Forewords by director Arthur Hiller and screenwriter Nelson Gidding.
This book, the first in-depth analysis of Wise's cinematic achievement, uncovers the elements that link the director's diverse cinematic subjects and examines the ways in which tensions between individuals and their societies are explored.
National Known film historian Wes Gehring explores Wise's life from his days in the Hoosier state to the beginning of his movie career at RKO studios working as the editor of Orson Welles's memorable Citizen Kane until his death in 2005.
The Films of Robert Wise examines the nearly 40 features that represent the director's career.
Jordan examines the body of Wise's work in a film-by-film journey, his information woven neatly with interviews of participants providing the voices.
Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Love is not something which happens; it is an ongoing choice. Hence the importance, and nature, of the depiction of the family life of Mary and McDonald Walling. They are not perfect beings who have attained a state of wedded bliss ...
Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.
This is a story of the silent service—the submarine crews which destroyed the Japanese merchant marine.
Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.
Wise had worked with Parker in 1950 on Three Secrets, so he knew of her talent, but more important, Wise cast her because she had “name” value. At the time, Julie Andrews and Christopher Plummer were just beginning their careers and ...