The Official Book, Party Animals, Washington, DC, is the full-color pictorial record of the largest public art project in the history of our country's capital. Inspired by the successes of Chicago's Cows on Parade and similar public arts projects in other cities, the DC Commission on the Arts and Humanities knew Washington and its artists could only benefit from a chance to display their creativity, generosity, and profound sense of community to the rest of the world. Over a period of nine months, the DC Arts Commission worked diligently to turn over hundredds of well-formed, near life-sized creatures--one hundred elephants and one hundred donkeys--to artists. Party Animals was an opportunity to exhibit Washington's abundant creative talent and energy. In a city notorious for taking itself a bit too seriously, it was an opportunity to have some fun. The Party Animals public art project was launched by Mrs. laura Bush, First Lady of the United States, and Anthony Williams, Mayor of the District of Columbia on April 23rd, 2002. The even received over 200 national media such as The Washington Post, CNN and NBC-TV's today Show. but most importantly, Washingtonians began rounding the corners of downtown streets, emerging from Metro entrances and stepping out of their homes to unexpectedly discover a herd of striking and strangely endearing animal sculptures. these handsome works of art will be auctioned off in late October, 2002, leaving only this beautiful Orange Frazer Press book as a record of the event. Photographed by John Woo.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...