"Beginning about 1825 the frontier artists of the American West helped shape the national identity through their collective images of the region. Following in their footsteps were Frederic Remington (1861-1909) and Charles M. Russell (1864-1926), who brought western art to its apotheosis, becoming, in the historian Robert Taft's phrase, "the most celebrated artists of the West."" "As young men, Remington and Russell struck out for the West, seeking adventure and self-identity. Remington stayed for only one year, Russell for the rest of his life. But both eventually became artists, and both took as their subject the disappearing West and its people. Different in temperament and style, they became the focal point of a manufactured rivalry that dominated the American art scene at the turn of the twentieth century and in essence pitted East against West. Camps of followers developed, and duels were waged on their behalf in the press, although neither Remington nor Russell directly engaged in the rivalry." "This volume, the catalogue for the exhibition Remington, Russell and the Language of Western Art, recounts the story of that shared limelight, its interplay and its tensions. It also explores who Remington and Russell were, how their art interacted, and why, despite their fundamental differences, they are so inextricably joined in the public's mind. Their depictions of the West and its people - Indians, cowboys, cavalrymen, and mountainmen - continue to define the West in the American imagination."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Buffalo Bill Historical Center , Cody , Wyoming Gift of Mrs. Henry H.R. Coe ( 17.71 ) The Indian's spear creates the plane of movement in this piece , thrusting forward on a diagonal axis . The bronze is shaped like wave crests to ...
Replete with stunning reproductions of their greatest works, this volume documents how two of America's foremost artists defined the nation's vision of the expanding West, and captured forever the emotions of a now-vanished era.
Beginning in 1974, the Anschultz Collection, an assemblage of over five hundred paintings of the American West, exhibited throughout the United States and in eight foreign countries. It was returned...
... Russell relied on the works of others and artifacts . His Squaw Travois ( 1895 ) and Returning to Camp ( 1901 ) contain ... Remington , Russell and the Language of Western Art . Washington , D.C .: Trust for Museum Exhibitions . Rossi ...
... Russell and the Language of Western Art ( Washington , DC : Trust for Museum Exhibitions , 2000 ) . Dippie , Brian ( ed . ) . Charles M. Russell , Word Painter : Letters 1887-1926 ( Fort ... Remington's Wild West , Frederic Remington 275.
This generously illustrated volume is the first to examine the exceptional collection of his works housed at the Frederic Remington Art Museum in Ogdensburg, New York.
Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by notable art historians who explore Remington’s experiences in Taos, New Mexico, and other parts of the West.
Bill Huntington's Good Men and Salty Cusses . Billings , Mont .: Western Livestock Reporter , 1952 . Hyde , George E. Life of George Bent . Norman : University of Oklahoma Press , 1968 . Hyer , Sally . “ Pablita Velarde : The Pueblo ...
Celebrates the fiftieth anniversary of this premier museum in Oklahoma City, offering both an institutional history and a captivating collection of photographs representing its extensive holdings. Simultaneous.
This book presents the entire Gund Collection of Western Art in beautiful, full-color illustrations and includes biographies of the artists featured in the collection. Includes 69 color and 15 black-and-white illustrations.