“Undoubtedly, the single finest collection of Wallace Stevens ever produced.” — Library Journal Wallace Stevens’s unique voice combined meditative speculation and what he called “the essential gaudiness of poetry” in a body of work of astonishing profusion and exuberance, poems that have remained an inspiration and influence for generations of poets and readers. Now, for the first time, the works of America’s supreme poet of the imagination are collected in one authoritative Library of America volume. Here are all of Stevens’s published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as “Sunday Morning” and “Thirteen Ways of Looking at a Blackbird”), through “Notes Toward a Supreme Fiction,” “Esthétique du Mal,” “The Auroras of Autumn,” and the other large-scale masterpieces of his middle years, to the austere final poems of “The Rock,” Stevens’s poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. The volume presents over ninety poems uncollected by Stevens, including early versions of often-discussed works like “The Comedian as the Letter C” and “Owl’s Clover.” Also here is the most comprehensive selection of Stevens’s prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of T. S. Eliot, Marianne Moore, William Carlos Williams, and other poets. The often-dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens’s thoughts on poetry and the creative process. The volume also contains explanatory notes, a detailed chronology of Stevens’ life, and an essay on textual selection. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.
Long unavailable, now in paperback for the first time, these are the brilliant, subtle, illuminating letters of one of the great poets of the twentieth century.
Wallace Stevens: Poetry as Life delves into every phase of Stevens' life--from his childhood in Pennsylvania, his years at Harvard, and his short stay in New York to his life-long...
A collection of twenty-five poems by Wallace Stevens with illustrations and brief introductory remarks.
In Wallace Stevens: A Poet’s Growth, George S. Lensing examines Stevens’ gradual emergence and development as a poet, tracing his life from his formative years in Pennsylvania to his careers as a lawyer for the Hartford Accident and ...
Wallace Stevens
"The Collected Poems" is the one volume that Stevens intented to contain all the poems he wished to preserve, presented in the way he wanted.
This essential volume for all readers of poetry reminds us of Stevens’s nearly unparalleled contribution to the art form and his unending ability to puzzle, fascinate, and delight us.
This compelling book uncovers what Stevens liked to think of as his "ordinary" life, a life in which the demands of politics, economics, poetry, and everyday distractions coexisted, sometimes peacefully and sometimes not.
The order itself is finally characterized as “ghostlier demarcations,” the comparison admitting that some demarcations already exist, but that such distinctions are nebulous, minimal, giving little means of separating us from the ...