The renowned American Impressionist Childe Hassam built his reputation on light-filled images depicting the streets of New York and New England's coastal resorts. He was also known as a consummate traveler who delighted in discovering and painting new scenes and unfamiliar landscapes. In 1904 and 1908, Hassam traveled west, visiting Oregon and the surrounding region. He was captivated by the beauty of the Northwest landscape: its rocky coast, lush valleys, forested mountains, and stark high deserts. During his sojourns in the West, he painted at least 60 images, ranging from portraits and still lifes to landscapes and seascapes in oil, watercolor, and pastel.
Childe Hassam: Impressionist in the West explores this significant, but little known, body of work in the context of the artist's entire oeuvre and larger developments in modern art at the turn of the century. Richly illustrated, it investigates how Hassam's images of the West mirror a number of his personal and professional concerns; provides insights into technical aspects of his work, which he tended to adapt to the subject and circumstances at hand; and looks at how the West appealed to his desire to create an art that was purely American in both content and style. Childe Hassam: Impressionist in the West offers a lucid and in-depth look at this intriguing interlude in Hassam's career and the remarkable works that resulted.
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Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
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According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
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