Robert Dean Lurie’s biography is the first completely researched and written since R.E.M. disbanded in 2011. It offers by far the most detailed account of their formative years—the early lives of the band members, their first encounters with one another, their legendary debut show, touring out of the back of a van, initial recordings, their shrewdly paced rise to fame. The people and places of ‘the South’ are crucial to the R.E.M. story in ways much more complex and interesting than have been presented thus far, says Lurie, who explores the myriad ways in which the band’s adopted hometown of Athens, Georgia, and the South in general, have shaped its members and the character and style of their art. The South is more than the background to this story; it plays a major role: the creative ferment that erupted in Athens and gripped many of its young inhabitants in the late 70s and early 80s drew on regional traditions of outsider art and general cultural out-thereness, and gave rise to a free-spirited music scene that produced the B-52’s and Pylon, and laid the ground for R.E.M.’s subsequent breakout success. Lurie has tracked down and interviewed numerous figures in the band’s history who were under-represented in or even absent from earlier biographies, and they contribute previously undocumented stories as well as casting a fresh light on the familiar narrative.
READ THE BIBLE SYSTEMATICALLY First, let me suggest that you set aside a definite time for Bible reading, preferably at the beginning of the day when the mind is alert. At a prescribed time, in a quiet place, systematically read the ...
Lockwood illuminates the forgotten stories and experiences of the communities and individuals who adapted to this new world in which the global balance of power had been drastically altered.
The opening essay illuminates the central importance of America’s provincialism to the formation of a truly original political system.
2, 174; Tim Hitchcock and Robert Shoemaker, London Lives: Poverty, Crime, and the Making of the Modern City (Cambridge, 2016), 349; Peter Linebaugh, The London Hanged: Crime and Civil Society in the Eighteenth Century (London, 2006), ...
... High Commissioner has , in effect , acted as Foreign Minister . ' This level of British control was well beyond anything Lawrence had proposed a Iraq began its existence burdened with a crippling debt 204 TO BEGIN THE WORLD OVER AGAIN.
Seneca, the Roman philosopher, said, “We have all sinned, some more, some less.” Coleridge, the great thinker, confessed, “I am a fallen creature.” T. S. Eliot's character Cecilia Copplestone talks about her “awareness ...
Sara gets stuck when she must paint a picture for the second grade art show, until she discovers the best place to begin.
The National Book Award winning history of how racist ideas were created, spread, and deeply rooted in American society.
For centuries the bears of Haven have lived quiet lives, high in the mountains at the edge of the great Precipice.
And Duchess and Walk must face the trouble that comes with his return. We Begin at the End is an extraordinary novel about two kinds of families—the ones we are born into and the ones we create.