Footsteps in the Fog is a celebration of the San Francisco films of Alfred Hitchcock. The master director's familiarity with Northern California greatly influenced his decision to use Bay Area locations in several of his landmark motion pictures, and more importantly was often the source of inspiration for many of these same cinema classics.
Three of Hitchcock's masterpieces were set in the San Francisco area:Shadow of a Doubt, Vertigo, andThe Birds. In addition,Rebecca, Suspicion, Marnie, Topaz, Psycho, andFamily Plot utilized Bay Area locations and/or were inspired by Northern California events and settings.Footsteps in the Fog examines these famous films, taking the reader on a journey around the Bay Area, while weaving together cinemagraphic intrigue, Bay Area history and lore, and the timeless elegance of San Francisco and its picturesque surroundings.
Over 400 historical and contemporary photos are featured in the book, including impromptu off-camera images and shots from the films themselves--many never before seen!
Footsteps in the Fog can be used as a companion to viewing the Northern California Hitchcock films, as a guide for visiting the sites and settings used in these motion pictures, and as a source of biographical information about Alfred Hitchcock's personal connections to San Francisco and the Bay Area. Hitchcock loved Northern California; he often entertained Hollywood celebrities at his ranch and vineyard outside of Santa Cruz, and frequented such San Francisco institutions as Jack's Restaurant, the Fairmont Hotel, the Top of the Mark, and the historic Bercut Brothers' Grant Market.
Hitchcock fans everywhere will rejoice as they revisit and rediscover the locations and settings used in the great director's most beloved films.
With Ginger Rogers , Adolphe Menjou , George Montgomery , Lynne Overman , Nigel Bruce , Phil Silvers , Sara Allgood , William Frawley , Spring Byington , Helene Reynolds , George Chandler , George Lessey , Iris Adrian , and Milton ...
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The first half of the book focuses on understanding the elements of the film experience--and its associated consciousness--through the descriptive tools of phenomenology.
Looking at Movies: Buch
Lee's criticisms tap into widely documented histories of black representation within American popular cinema , which have seen white film - makers present black people in ways that are clearly derogatory and two - dimensional .
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...