'Visions of the Apocalypse' examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as We Were Soldiers, The Last War and Tidal Wave. Dixon also discusses such topics as the death of film itself, to be replaced by digital video.
Starting with the explosive Kiss Me Deadly, the book examines various apocalyptic scenarios and how each ties together throug issues of displacement and amorality: from teh atomic anziety of The Big Heat and Lady from Shanghai, to the ...
"This book takes Hollywood's disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory toward new understandings of how cinema ...