Roddy Doyle is the most successful Irish writer to emerge in the 1990s. All of his novels have been bestsellers, from the early Barrytown Trilogy (The Commitments, The Snapper, The Van), all of which have been filmed, through the Booker Prize-winning Paddy Clarke Ha Ha Ha, and up to his revisionist A Star Called Henry. It is largely because of this popularity, and of the perceived anti-intellectual thrust of his fiction, that many critics have refused to recognise him as literary. Others have criticised him for his unflattering depictions of modern Ireland. Doyle himself has long refused to participate in such pigeon-holing. Dermot McCarthy argues that Doyle's representation of working-class Dublin - in effect, an urban Ireland that had never been represented in Irish fiction or film before - has broken with the traditional literary view of the Irish as a homogeneous people and has given a voice to a little-heard side of modern Ireland. of Irish history and identity, but rather they negotiate a culture that is a complex processor of exogenous (largely American) influences and indigenous adaptation and assimilation. Doyle is a realistic novelist, a comic social-satirist, and latterly, a brilliantly inventive parodist whose fictions cohere around a single focal concern: the defence of the individual's struggle to live with dignity and decency in the face of all those forces which attempt to coerce the individual into accepting the way things are. Setting Doyle's six novels in the context of the seismic changes that have shaken Irish society in the last twenty years, McCarthy stakes a claim for Doyle as Ireland's pre-eminent chronicler of modern Ireland.
Volume 1 of the Writings and Speeches of Edmund Burke presents Burke's early literary writings up to 1765, and before he became a key political figure.
The Works of Aphra Behn: The fair jilt and other short stories
The Ruined Cottage: The Brothers Michael
The greatest quotes from Dickens...an essential reference book providing every notable and quotable passage or short comment by Dickens on a subject which interested the great author...encompassing all his work.
This volume contains more than 350 letters, the great majority of them previously unpublished, which are supplemented, as before, by scrupulous annotation and extensive cross-referencing; by a chronology covering the whole of Hardy's career ...
Ed. J. M. Robson. Intro. Alexander Brady. Toronto and Buffalo: U of Toronto P; London: Routledge and Kegan Paul, 1977. 213-310. . The Subjection of Women 1869. Essays on Equality, Law, and Education. Vol. 21 of Collected Works of John ...
Richard M. Dunn , Geoffrey Scott and the Berenson Circle : Literary and Aesthetic Life in the Early 20th Century 35. Gary Gautier , Landed Patriarchy in Fielding's Novels : Fictional Landscapes , Fictional Genders 36.
He was at one point tempted to join Rudolf Steiner's anthroposophical movement, as Biely had done. When he met Steiner in March 1911, he explained what in the school attracted him, asking Steiner whether one could be a writer and a ...
... Thomas 186 , 327 Davies , John 101 Davis , Lennard 315 De Quincey , Thomas 139 de Saussure , Cesar 312 de Muralt , Béat Loyis 308 Deal , gentlewoman of 288–9 , 332–3 death attitudes to 1-2 debtors suicides by 131 , 273-4 Deathy ...
that none of our students were black, few were women, or that the values we "disinterestedly" discovered in Jane Austen or E. M. Forster were at least partly determined by racial, social, and sexual presuppositions.