Accessible and affordable illustrated biography
... Wallace, 174n, 216, 218, 219, 252 Joplin, Scott, 32–33 Jordan, Louis, 267-68 Jump For Joy, 222, 223–25, 227–36, 257–60, 318 “jungle music,” 90 “Junk Man Rag,” 31 Kalmar, Bert, 104 “Kansas City Man Blues,” 44 Kaye, Sammy, 279 Keeler, ...
Who Was Duke Ellington? follows the exciting, multifaceted journey of this musical genius and takes a look at what truly makes Ellington an artist "beyond category."
Includes over one hundred essays focusing on Ellington as a person, musician, bandleader, and musical philosopher, and offering insight into Ellington's position in American musical culture
Ellington’s own voice, meanwhile, animates the book throughout, giving Duke Ellington’s America an intimacy and immediacy unmatched by any previous account.
Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem; his long ...
In this book Ken Rattenbury offers a thorough musical analysis of Ellington's works, assessing the extent to which Ellington drew on the black music traditions of blues and ragtime and the music of Tin Pan Alley, and examining how he ...
Someone told him about a young ragtime pianist named Harvey Brooks, who lived in Philadelphia. On his way backto Washington, Duke stopped off in Philadelphia and went to look him up. Harvey Brooks was probably about 16 or 17 when Duke ...
"In the history of American music, Duke Ellington stands alone. During a career that spanned over half a century, he wrote more than a thousand compositions, toured the world with...
Duke Ellington
“'Jump for Joy' Run Closes Saturday,” California Eagle (25 September 1941), Duke Ellington file, 1941–44, IJS/RU; ... Duke Ellington, “We, Too, Sing 'America,'” in Tucker, Duke Ellington Reader, 147; Stratemann, Duke Ellington, 242, ...