This brand new book introduces both specialists and generalists alike to the remarkable world of glass manufacture and design from the Ancient World to the present day, as presented in one of the world's great collections of glass.
Published on the occasion of the opening of the new Glass Pavilion at the Toledo Museum of Art, designed by Kazuyo Sejima and Ryue Nishizawa, lead architects of SANAA Ltd., Tokyo, in 2006, this book draws on the superb quality of the collections at Toledo. The Museum has consciously collected the best examples of the glassmaker's art across all ages. Today the Museum is internationally renowned for the quality and scope of its glass collection.
The Museum has trail-blazed new areas of glass collecting. Thanks to its founder, glass industrialist Edward D. Libbey, the Museum has collected art in glass for more than a century. The Museum was also the birthplace of the Studio Glass Movement in the 1960s. The opening of the Glass Pavilion will further enhance the Museum's leading position in this field of art - it will offer visitors the matchless experience of being able to see a broad range of historic glass next to studioswhere glass artists are creating works. In this way the Museum and this publication will provide a unique insight into the design and working of glass through the ages, all within the context of a purpose built art museum space.
This volume presents more than 100 major examples of the glassmaker's art from ancient times to the present, accompanied by discursive texts written by leading writers. The combination of these thought-provoking entries and the wealth of illustration makes this title a must for specialist collectors and generalists alike.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei