Mark Bradford (born 1961) uses materials found in the urban environment such as billboard sheets, posters and newspapers to create expansive, multi-layered paintings comprised entirely of paper. Focused on Bradford's recent body of work inspired by the interstate road network, this new monograph takes its title from a chapter in the memoirs of President Dwight D. Eisenhower about his experience as a member of the Transcontinental Motor Convoy of 1919, which informed his support for a nationwide highway system in the US in the 1950s. Topographical points of reference shift in and out of focus in Bradford's abstract compositions, characterized by ruptures, fractures and incisions that echo the social disruption that followed when interstate highways ripped through communities like Bradford's own in south central Los Angeles. Designed in collaboration with the artist, this volume includes an interview with Susan May and a new essay by Christopher Bedford.
Looks at the many artists, photographers, choreographers, musicians, composers, poets, writers, and other creative people who made Harlem such an amazing place in the 1920s and 1930s.
Newspapers described the Edgefield mark as being near Horn's Creek . Because the early home of the Miles family was on Horn's Creek , and Rev. John Landrum had preached for years at Horn's Creek Baptist Church , the two families must ...
Shawn Dunwoody
Enhanced by nearly 150 images of painting, sculptures, photographs, quilts, and other work by black artists, offers a survey of African American history which covers the predominant political, economic, and demographic conditions of black ...
Drawn from important public and private collections across the United States, William L. Hawkins: An Imaginative Geography includes approximately 50 of Hawkins's most important paintings, both well-known pieces and others rarely seen.
Generosity: A Conversation with Byron Kim, Janine Antoni, and Glenn Ligon
Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Los Angeles, Calif.
New Perspectives: Colin Chase and Whitfield Lovell : February 15 Through March 16, 1990, Frances Wolfson Art Gallery, Mitchell Wolfson...
Betye Saar: Migrations
Un poema para Willie Best