DIV Johann Sebastian Bach – celebrated pipe organist, court composer and master of sacred music – was also a technical pioneer. Working in Germany in the early eighteenth century, he invented new instruments and carried out experiments in tuning, the effects of which are still with us today. Two hundred years later, a number of extraordinary musicians have utilised the music of Bach to thrilling effect through the art of recording, furthering their own virtuosity and reinventing the composer for our time. In Reinventing Bach, Paul Elie brilliantly blends the stories of modern musicians with a polyphonic account of our most celebrated composer’s life to create a spellbinding narrative of the changing place of music in our lives. We see the sainted organist Albert Schweitzer playing to a mobile recording unit set up at London’s Church of All Hallows in order to spread Bach’s organ works to the world beyond the churches, and Pablo Casals’s Abbey Road recordings of Bach’s cello suites transform the middle-class sitting room into a hotbed of existentialism; we watch Leopold Stokowski persuade Walt Disney to feature his own grand orchestrations of Bach in the animated classical-music movie Fantasia – which made Bach the sound of children’s playtime and Hollywood grandeur alike – and we witness how Glenn Gould’s Goldberg Variations made Bach the byword for postwar cool. Through the Beatles and Switched-on Bach and Gödel, Escher, Bach – through film, rock music, the Walkman, the CD and up to Yo-Yo Ma and the iPod – Elie shows us how dozens of gifted musicians searched, experimented and collaborated with one another in the service of a composer who emerged as the prototype of the spiritualised, technically savvy artist. /div
What little-known son of a famous genius has been called: "A musical blight" "A one-man plague" "History's most justifiably neglected composer" "The worst musician ever to trod organ pedals" "A pimple on the face of music" In this long ...
As such, this collection will be of particular interest to both scholars and non-specialist readers.
This new Schaum edition presents a complete English suite, a complete French suite, a complete Partita in an abridged arrangement along with Bach compositions in their original form: * Minuet in G minor (AMB Notebook) * Prelude in D minor ...
This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert
This edition is based on original Bach manuscripts with original ornamentation and no modern dynamic markings. Performer's Editions are designed for easy reading and performance with minimal extraneous markings.
It appears at a time when, because of the fall of the Iron Curtain, extraordinary new discoveries are being made about Bach and his family at an increasing rate thus this book is able to incorporate important information and images not ...
Perhaps, then, this part was meant for taille (tenor oboe), but the first part ascends to an uncomfortably high e′′′ (m. 133). ... Warburton lists the concerto in entry C 73 of his thematic catalog of the works of Christian Bach (p.
Daniel R. Melamed, Professor and Chair Department of Musicology Daniel R Melamed, Michael Marissen. Young, Percy M., 24 Zahn, Johannes, 124, 126 Zander, Ferdinand, 106 Zelter, Carl Friedrich, 75–76 Zenck, Martin, 153–54 Ziegler, ...
By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood ...
The Joy Of Bach is a volume of 46 original keyboard compositions by members of the Bach family. The pieces are in their original form, neither rearranged nor simplified.