Published to coincide with an exhibition held at the Photographers Gallery and Foundling Museum in London and touring to Chicagos Museum of Contemporary Photography, this beautiful and striking book examines contemporary interpretations of one of the most enduring subjects in the history of picture-making: the image of the mother. Focusing on the work of twelve international photographic artists, the publication challenges the stereotypical or sentimental views of motherhood handed down by traditional depictions, and explores how photography can be used to address changing conditions of power, gender, domesticity, the maternal body, and female identity. The work featured here is highly personal, often documentary in approach and with the individual subject at its centre, reflecting photography itself in the twenty-first century. The featured artists offer very different views of contemporary motherhood, from the devoted to the dysfunctional, representing the myriad ways that becoming or even trying to become a mother can radically alter a womans sense of self and how others perceive her. The books essays, illustrated with dozens of comparative images from antiquity to the present day, present the historical and contemporary context of the mother figure. Curator of the exhibitions and volume editor Susan Bright traces the history of photographs of motherhood from the nineteenth century to our postfeminist age. Simon Watney weaves a fascinating narrative of the Madonna figure through the centuries. Nick Johnstone looks at the presentation of the mother from the perspective of the father, and considers how images of fatherhood compare, while Stephanie Chapman lays out the moving history of Londons Foundling Museum through photographs and repositions the mother in a story of loss where she is strangely absent. Presenting contemporary thinking on motherhood through an exploration of its changing representation in photography, Home Truths provides a fresh and unique insight into one of the most universal and well documented of experiences.
David Lodge's dazzling novella examines with wit and insight the contemporary culture of celebrity and the conflict between the solitary activity of writing and the demands of the media circus. “Sharp, intelligent, surprising and fun ...
V. Burgin, J. Donald, and C. Kaplan, 167–99. London: Rout- ledge. Walkerdine, V. 1990. Schoolgirl fictions. London: Verso. Walkerdine, V., and H. Lucey. 1989. Democracy in the kitchen: Regulating mothers and socialising daughters.
Alternating between Angie’s blissful life as a young mother and her present-day nightmare, Home Truths is a searing exploration of the lengths one mother will go to survive and protect her children.
A compulsive read by a two-time winner of the Ann Connor Brimer Award, Home Truths is a revealing portrait of a bully-in-training and his journey to redemption.
Bringing together new work and key papers Home Truths About Domestic Violence provides a comprehensive overview and up-to-date account of the progress so far, and identifies what still needs to be done.
Freya North reunites her popular McCabe girls – sisters Cat, Fen and Pip – in this sexy and funny novel.
From a PEN Award winner, these tales ranging from Depression-era Quebec to contemporary Vancouver offer “irresistible storytelling through and through” (Kirkus Reviews).
Despite their mother having run off with a cowboy from Denver when they were small, and having been brought up in a draughty house in Derbyshire by their eccentric uncle, Django, the McCabe girls actually consider themselves very normal and ...
22 23 24 10 J. Cupples, V. Guyatt and J. Pearce, '“Put On a Jacket, You Wuss”: Cultural Identities, Home Heating and Air Pollution in Christchurch, New Zealand', Environment and Planning A, 39 (2007), pp.2883–98.
Novelist Gerald Duff grew up both in Polk County, in Deep East Texas, and in Nederland, near the Gulf Coast, two drastically different areas in terms of social and economic status, and the way they interact.