"This richly illustrated catalogue accompanies the exhibition that celebrates the bicentenary of the Fitzwilliam Museum in Cambridge with a display of its finest illuminated manuscripts. Of all the medieval and Renaissance arts - from sculptures, ivories, frescoes and stained glass to easel and wall paintings - it is manuscript illuminations, protected inside volumes, that best preserve the glowing colours and precious metals that would have dazzled their original spectators. The focus of this exciting and innovative exhibition is on COLOUR: it integrates scientific and art historical analyses of painting materials and techniques with studies on the manuscripts' historic contexts of production, including the relationships between artists and patrons. Identifications of the pigments' chemical composition and methods of application are considered alongside their aesthetic impact as well as the multiple dimensions and meanings of colour appreciated by medieval and Renaissance viewers. Over 150 manuscripts are displayed in the exhibition dating from the 8th to the 19th century and all are catalogued and fully illustrated here. The manuscripts are grouped in 14 thematic sections each of which is introduced by an essay that includes further relevant illustrations and presents the scientific and art historical analyses in a broader cultural context. The majority of the exhibits are from the Museum's collection and the main focus is on Western European illumination, but examples of Byzantine, Armenian, Persian and Sanskrit manuscripts are also included. In addition there are special loans from other Cambridge, British and European collections. The catalogue entries and introductory essays are written by a team of leading manuscript scholars, scientists and conservators who offer an integrated, cross-disciplinary approach and new insights into the art of illumination."--
The book of Psalms was at the core of devotional practice in western Christianity throughout the Middle Ages. The study of medieval Latin Psalters provides evidence for the owners, users, and makers of each of these unique books.
The Medieval Manuscript Book: Cultural Approaches, Cambridge Studies in Medieval Literature, 94 (Cambridge: ... and Francis Gingras (eds), Cultures courtoises en mouvement (Montreal: Les Presses de l'Université de Montréal), pp.
Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style.
WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION 'Endlessly fascinating and enjoyable' Neil MacGregor 'A marvellous book' David Attenborough 'Full of delights' Tom Stoppard An extraordinary exploration of the ...
... (Estudios de genealogía, heráldica y nobiliaria / coord. por Miguel Ángel Ladero Quesada), p. 317.67 The archives of the Staatsbibliothek zu Berlin Preussischer Kulturbesitz: Acta III B 15. Acta spec. betr. den Ankauf einer Sammlung ...
Its negative characteristics were defined by theologians who sought to isolate undesirable rituals and beliefs, but there were also many who believed that the condemned texts and practices were valuable and compatible with orthodox piety.
Catalogue of a sales exhibition held at Les Enluminures, Paris, Feb. 3-Apr. 15, 2009, and at C.G. Boener, New York, Apr. 28-May 9, 2009.
Enluminures: Moyen Age, Renaissance
"'Manuscript Production', the sixth volume in our series of 'Primers', addresses the most basic questions: how were manuscripts made? who made them? and even (in one case), how long did it take?