An exploration of the life, work, and historical background of Aphra Behn: seventeenth-century dramatist, poet, novelist, political propagandist, bisexual and spy.
the mythical Indian prince who was powdered in gold after his bath , lived in South America , while Sir Walter Ralegh in the late sixteenth and early seventeenth centuries had gone on futile quests for part mythical , part commercial ...
The author of four truly important novels--The Recognitions in 1955, J R in 1975, Carpenter's Gothic in 1985, and A Frolic of His Own in 1995--William Gaddis is considered by...
This collection of critical essays explores the different genres in Behn's canon, including her plays, criticism, fiction and poetry, from a wide variety of feminist theoretical approaches.
During a writing career from the Restoration (1660) to the so-called Glorious Revolution (1688-9) Aphra Behn was prolific in all the commercial genres of her time and treated the most...
'1 For instance in Janet Todd, The Secret Life (1prth Behn (London: André Deutsch, 1996), 373. 12“Aphra Behn: The Politics of ... 15 “Only the people who avoid inspiring us with jealousy are worthy our jealousy” (my translation).
1697 The Rover revivedbyHis Majesties Servants, LittleLincolnsInnFields; second edition published. The False Count reissued. Possible revivalofThe CityHeiress. Possible revivalof TheYoung King. Poems upon Several Occasions (1684) bound ...
16', in P. Beal and J. Griffiths (eds.), English Manuscript Studies, 1100—1700, vol. ii (Oxford: Blackwell, 1990). Okin, Susan Moller, Women in Western Political Thought (Princeton: Princeton University Press, 1979).
Admired and Understood analyzes Behn's only pure verse collection, Poems upon Several Occasions (1684), and situates her in her literary milieu as a poet.
This book sets Behn firmly in an historical context of political factions, theatre developments and colonial encounters, and includes chapters on each of the genres in which she wrote: drama, fiction, poetry and translation, and on other ...
The novel also reveals Behn’s ambiguous attitude to African slavery – while she favoured it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.