"Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema. Richard Deming's study of the film considers it as an outstanding example of the noir genre and explores its complex relationship to its source novel, Badge of Evil by Whit Masterson. He traces the film's production history, and provides an insightful close analysis of its key scenes, including its famous opening sequence, a single take in which the camera follows a booby-trapped car on its journey through city streets and across the border"--Publisher`s website
One Lonely Knight: Mickey Spillane's Mike Hammer. Bowling Green, OH: Bowling Green State University Popular Press, 1984. Décharné, Max. Hardboiled Hollywood: The Origins of the Great Crime Films. Harpenden, U.K.: No Exit Press, 2005.
From among the mob movies, Carl Freedman focuses on Francis Ford Coppola's Godfather trilogy - arguably the foremost work of crime cinema -crafting a convincing argument that the plot's action is principally driven by the shift from Sicily ...
The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir.
Inspector Harry Hole is tested to the very limits of his sanity by a killer with a strange signature: a snowman.
A brilliant, interdisciplinary examination, this is a work that will appeal to a broad spectrum of readers.
The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema.
This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath.
This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath.
... La voluntad radiante, de Molina y Palmer, podemos 61 De Castigo divino a El cielo llora por mí.