A comprehensive collection of the writings of Mark Fisher (1968-2017), whose work defined critical writing for a generation. This comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade. Edited by Darren Ambrose and with a foreword by Simon Reynolds.
The book analyses the development and principal features of this capitalist realism as a lived ideological framework.
Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.
After Bret left with the recording, Elliott put the Beat Happening tape inhis own cassetteplayer, expecting tohear punk rock.He found something very different. “In the Spoiled, we played hard punk rock,”Elliott says.
Edited with an introduction by Matt Colquhoun, this collection of lecture notes and transcriptions reveals acclaimed writer and blogger Mark Fisher in his element -- the classroom -- outlining a project that Fisher's death left so ...
Jonathan Miller didn't use Felixstowe as a location in his 1968 adaptation of “Oh, Whistle, and I'll Come to You, My Lad”, but the legendary Suffolk town of Dunwich and the tiny village of Waxham in Norfolk. The crucial scene in which ...
The essays in The Resistible Demise of Michael Jackson consummately demonstrate that writing on popular culture can be both thoughtful and heartfelt.
K-punk
It’s literally in a class by itself, a model for others to follow, and it's easy to see how it put Powers on the map.”—SF Reviews Brendan Doyle, a specialist in the work of the early-nineteenth century poet William Ashbless, ...
In Patience, as in the Joy Division documentary, the story is therefore told by others: Macfarlane, Dean, Iain Sinclair, Petit, the literary critic Marina Warner and the artist Jeremy Millar. Millar provided one of the most uncanny ...
Explores the avant-garde history of twentieth-century Europe through the lifestyle and music of the Sex Pistols