"Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group. Solomon's images depict a complex terrain of social and emotional issues inherited over generations: a world of class and gender divisions, implied and overt racism, competing notions of liberty, and lurking violence. Journeying through Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South California, Solomon draws attention to cultural idiosyncrasies, paradoxes and theatrical displays: a Daughter of the Confederacy sits in costume with a china doll from her collection; a dead tree stump, fenced and suspended with wires is elevated to the status of a Civil War monument; African American boys examine a vitrine of guns as two white police manikins loom behind them. Poised between act and re-enactment, the animate and the inanimate, Solomon's images reveal how history becomes a vernacular performance and identity a form of theatre.--
Charles Sheeler, Paintings and Drawings
--one Thing Just Sort of Led to Another--: The Photographs of Todd Walker
Photographs
Magic Doors
Marble Tree
Photographs by Walter Pfeiffer.
Walter Pfeiffer's Scrapbooks from 1969 to 1982 are a very unique Wunderkammer. Pfeiffer's polaroids and photographs alternate with miscellaneous objects newspaper clippings, postcards, packaging, tickets and brief punning notes.
English Anxieties: Tim Brennan
Photographer Michael Thompson offers a grand, almost fantastical vision of fashion, glamour and style. A compelling yet enigmatic sequence of radiant images, plucked from his fashion spreads, portrait shoots, and personal projects.
Michel Auder: I Had Another Bird to Feed